Archive | Public Art RSS feed for this section

All forms of commissioned artwork and consultation which can be viewed by the public in predominantly public places.

Central Chelmsford – York Stone steps in progress

Works are well underway by the Ashfield Group to manufacture and supply the artwork step details to the project. The double height steps in York Stone are being inset with a darker granite text detail set into the face of the riser, which is part of the art interpretation on site. These double height steps will also have a slatted timber top, which creates ad hoc seating within the main sequence of steps at the southern end of the site. The timber will also carry cnc routed text.

Individual water jet cut granite letters are inset into York Stone, which has had the word already cut by water jet as a negative space. Image by Ashfield Group

Individual water jet cut granite letters are inset into York Stone, which has had the word already cut by water jet as a negative space. Image by Ashfield Group

The letters are cut from granite tiles. Image by Ashfield Group

The letters are cut from granite tiles. Image by Ashfield Group

Waterjet Cutting the stone (4)

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

Image by Ashfield Group

The finished step block with negative text space awaiting granite letters to be inset. Image by Ashfield Group

Finished ! Image by Ashfield Group

Finished ! Image by Ashfield Group

 

Central Chelmsford – artworks in progress

The timber seating units for The Gate – a set of 6 radius benches with cnc routed text – are currently being installed at the Central Chelmsford site. The benches are being manufactured by City Squared in Leeds & installed by Ground Control. The designs were developed in collaboration with City Squared.  The cnc routed text refers to the history, location and memory of the space & is defined by the adjacency of the Anne Knight Building, which has been refurbished & is considered the anchor building of the development site.

Plan drawing showing the arrangement of radius timber benches within the area known as The Gate.

Plan drawing showing the arrangement of radius timber benches within the area known as The Gate.

One of the benches in the factory during manufacture by City Squared.

One of the benches in the factory during manufacture by City Squared. Image by City Squared.

Detail: Timber sections set out in the factory. Note the cnc routed text.

Detail: Timber sections set out in the factory. Note the cnc routed text. Image by City Squared.

For engineering & structural reasons, the long arcs of the benches had to be constructed in two sections.

For engineering & structural reasons, the long arcs of the benches had to be constructed in two sections. Image by City Squared

Each of the benches has a timber upstand end against which one can rest or lean. The timber detail is reinforced with a stainless steel internal frame and horizontal steel pins.

Each of the benches has a timber upstand end against which one can rest or lean. The timber detail is reinforced with a stainless steel internal frame and horizontal steel pins. Image by City Squared

2014-10-10 15.49.11

The detailing is very well engineered and finished. Image by City Squared

The timber benches sit atop a brick built plinth, which mirrors the semi circular setting out of the site. The benches here have not be fully installed and fastened.

The timber benches sit atop a brick built plinth, which mirrors the semi circular setting out of the site. The benches here have not be fully installed and fastened. Image by Ground Control

 

 

Detail of cnc routed text

Detail of cnc routed text. The benches are constructed in two sections. The sections have yet to be aligned during installation. Image by Ground Control

Image by City Squared.

Image by City Squared.

 

Bicester Community Hospital

Wednesday 1st October 2014

I have just been commissioned by Tom Cox, Artscape Project Manager for Oxford Health NHS Foundation Trust to create artwork for the new Bicester Community Hospital.  The new hospital is being delivered by Kajima & Nightingale Architects alongside Mansell Construction – now part of Balfour Beatty Construction UK.

Bicester Community Hospital - Image by Kajima.co.uk

Bicester Community Hospital – Image by Kajima.co.uk

The new works will be digitally printed onto optically clear vinyl and applied to the glazed window & door screens of 10 ward rooms throughout the building.

Typical glazed integrated door & window screen for digitally printed artwork.

Typical glazed integrated door & window screen for digitally printed artwork.

2014-09-24 10.47.57

External view of ground floor elevation with glazed screens

External view of ground floor elevation with glazed screens

 

The work is being manufactured and installed to my designs by Guardian Window Film.

 

‘Heart of the Campus’, Sheffield Hallam University – Phase 2 Manifestations

Wednesday 1st October 2014

Yesterday the university client approved the Phase 2 artworks for the glazing artwork manifestations at the new ‘Heart of the Campus’ building for Sheffield Hallam University, Collegiate Campus.

The project was delivered by Graham Construction and HLM Architects.

The digitally printed glazing manifestation artworks will be manufactured and installed by VGL.

 

VGL's production artwork with annotations by the artist in red & blue -

VGL’s production artwork with annotations by the artist in red & blue –

 

Phase 2 draft artwork with production notes -

Phase 2 draft artwork with production notes –

 

Phase 2 artwork draft with production notes - detail

Phase 2 artwork draft with production notes – detail

Phase 2 artwork drafts with artist production notes - detail

Phase 2 artwork drafts with artist production notes – detail

Phase 2 artwork drafts with artist production notes - detail

Phase 2 artwork drafts with artist production notes – detail

Print

Phase 2 artwork draft in full –

Phase 2 - Detail of artist draft -

Phase 2 – Detail of artist draft –

 

Phase 2 - detail of artist draft -

Phase 2 – detail of artist draft –

 

Phase 2 - detail, artist draft -

Phase 2 – detail, artist draft –

Central Chelmsford – glazing artworks approved

Thursday 18th September 2014

The draft designs for the digitally printed vinyl manifestations to the glazed curtain wall at CentralChelmsford was approved some time ago, but I have omitted to post any images for some obscure reason !
Here they are !  –

14-07-15 glazing screen v1

 

Draft artwork for digitally printed vinyl to main entrance screen and lobby

Draft artwork for digitally printed vinyl to main entrance screen and lobby

In a similar approach as that adopted for my recent manifestation project at Sheffield Hallam University, which is a print-white only process, layering transparent & opaque detail onto optically clear vinyl. This project is being delivered in collaboration with VGL Ltd

Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

 

14-07-15 detail 2

Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

 

14-07-15 detail 3

Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

Central Chelmsford

Central Chelmsford Site Visit – Monday 2nd September 2014

Anne Knight of Chelmsford

Anne Knight of Chelmsford – Detail: ‘Anne’, sandblasted text motif in Royal Green granite by Hardscape

Client: Genesis Housing Association – Main Contractor: Denne – Project Managers: Bidwells – Architects: PTE architects – Landscape Architects: Area Landscape Architects – Arts Consultant: Frances Lord

507 new homes as well as retail and offices will make up the new development. The project is delivering a blueprint for a new community in Chelmsford.

The site has a number of key buildings once part of Anglia Ruskin University, which are being partly or wholly retained and refurbished. These are the Frederick Chancellor Building of 1905 and the Law Building of 1931.

One of the most historic & resonant as well as the earliest buildings on the site is the Grade II listed Anne Knight building, a former Friends Meeting House from 1824. Named after one of Chelmsford’s most distinguished women, Anne Knight 1786 – 1862.

2014-09-08 10.51.33

Anne Knight was a Quaker and a stalwart Anti Abolitionist, one of very few women to attend the World Anti Slavery Convention meeting held in London in 1840. She would have attended this Quaker Meeting House, now named after her. This is the key anchor building on site.

Anne Knight Building

The refurbished Anne Knight Building with new public realm

2014-09-08 10.48.50

The view of The Gate with its blue black brick curved elevation. This area is intended as a public open space, extending the forecourt and public realm of Chelmsford Station. The ground floor elevations are glazed and the interiors will be used as retail and food outlets.

2014-09-08 10.57.49

Looking South, through the aperture into The Place. The elevation of The Gate is dynamic & brooding. The crisp detailing is pared down. A facade of cantilevered black balconies appear to jut out from deep into the interior of the building from recessed windows.

2014-09-08 11.00.16

2014-09-08 11.00.40

2014-09-08 11.02.56

2014-09-08 11.03.15

2014-09-08 11.01.27

Looking south towards Central Park through The Place. The main pedestrian route will be on the left of this image, with the remaining site will be landscaped as a formal courtyard garden for residents and visitors alike

2014-09-08 11.04.21

The view north, towards  the Station from within The Place

2014-09-08 11.14.40

These are both samples of text to be used in the interpretive artwork which is embedded throughout the site. The sample on the left is York Stone with inset water jet cut grey granite, by Ashfield Ltd. Inset text such as this is used for step risers at the south of the site. The sandblasted sample on the right is part of a Royal Green granite paving supplied by Hardscape , called The Stream which runs continuously through the site north to south. Both interventions are based on contextual and site specific research I undertook.

2014-09-08 11.21.12

Day Treatment Unit, Cancer Centre, Churchill Hospital, Oxford

Tuesday 16th September 2014, Oxford Churchill Hospital, DTU, Cancer Centre I came up to Oxford today to review the installation of the wall-covering artwork along with VGL and the Trust Arts Coordinator, Ruth Charity. The DTU is an oncology & haematology day unit delivering chemotherapy & other cancer related treatments. The staff delivering this service are the most dedicated and hardworking group of people. How they have made time to collaborate and input into this project has been truly brilliant and a pertinent and sharp reminder that projects such as this succeed because of a positive buy in & contribution by staff and stakeholders alike. The work is created around a central core ‘island’ of offices and consulting rooms about which day treatment chemotherapy services are delivered. Most of the chairs and beds face onto this central island, meaning that most patients spend hours at a time over many weeks or even years staring at dull, blank walls, during treatment, rather than out of the windows behind them, which incidentally are too high to see through. A concept approach was developed to change this dull & monotonous view into a contemplative and softly illuminated abstract vista, interrupted by the suggested shadows of overhanging branches and foliage with dappled light breaking through.

2014-09-16 14.56.26

Corridor linking Chemotherapy Waiting Room to Oncology day treatment room

2014-09-16 14.39.03

Haematology treatment space

2014-09-16 14.42.10

Nurse Station

 

2014-09-16 15.17.09

Detail: Digitally printed vinyl wall covering

2014-09-16 14.41.00

Detail: Digitally printed vinyl wall covering

 

2014-09-16 14.45.20

Nurse Station

2014-09-16 15.15.21 2014-09-16 15.15.54

2014-09-16 14.45.40

Patient and visitor drinks station

2014-09-16 15.10.19

Corridor linking Oncology day treatment space with the Chemotherapy waiting room

2014-09-16 15.19.52

Haematology treatment space nurse station

2014-09-16 14.46.09

Detail: Patient & visitor drinks station

2014-09-16 15.19.22

Haematology treatment space nurse station

2014-09-16 15.04.57

Detail

2014-09-16 15.18.27

Detail

2014-09-16 15.18.10

Detail

2014-09-16 15.17.59

Detail with penguins

2014-09-16 15.16.36

Detail

2014-09-16 15.13.58

Oncology treatment space main nurse station

2014-09-16 15.17.29

Hand wash station

2014-09-16 14.48.06

Oncology nurse station – Detail of wall covering

2014-09-16 14.37.06

Haematology treatment space – Detail of wall covering

Southampton Station Quarter North

Tuesday 16th September 2014 Southampton A brief site visit today to review the installation of ‘Canal Shore’, as part of the Phase 1 works on the Station Quarter North Project in Southampton managed by Balfour Beatty Living Places for Southampton City Council. This is one of the more direct outcomes of the interpretive and contextual work that I did which was intended to ‘influence’ the design process throughout the project. The project as a whole however is a collaborative process and I have worked with many others in the realisation of this work.

2014-09-16 10.03.50

Mr Thankful Joy was landlord of the Railway Tavern on Blechynden Terrace from 1884 to 1890

‘Mr Thankful Joy – Landlord of the Railway Tavern 1884 – 1890. Bombed 22nd June 1940’

  Thankful Joy: born 1836 – died 1913, aged 78, Market Gardener of Shirley. Father – Thankful Joy – also a Market Gardener Births & Marriages Records SCC Archives The Railway Tavern aka West Station Tavern, was situated at No 12 Blechynden Terrace. 17 Public Houses have graced the local area over the last 100 years. There were also many beer retailers too. To counter this, a number of Temperance Hotels & Houses were established. ‘Southampton Inns & Taverns’. Tony Gallaher 1988. SCC Archives Ref: C4 / 1861 Census & Kelly’s Directory 1877.

2014-09-16 10.09.28

The ‘Heart of Oak’ Public House was on nearby Hill Street. The whole street was demolished in the 1960’s to make way for Wyndham Court

2014-09-16 10.17.46

In 1847, Lady Charlotte Fitzroy lived at No 1 Blechynden Terrace 

‘In 1847 Lady Charlotte Fitzroy lived at No 1 Blechynden Terrace. Joseph Hill, Surveyor, lived at No. 6’

In 1847 No.1 Blechynden Terrace was a large detached villa to the south of the current carriageway at the bottom of Kingsbridge Lane. Its ornamental gardens ran down to the shoreline of the Test Estuary. These eventually became the goods yard for the railway as the land was reclaimed from the sea.

2014-09-16 10.05.21

Looking east along Blechynden Terrace towards Kingsbridge Lane & the Civic Centre

2014-09-16 10.09.57   2014-09-16 10.12.02           2014-09-16 10.06.05

‘Wyndham Court is a Brutalist building’

  Wyndham Court is a block of social housing in SouthamptonEngland. It was designed by Lyons Israel Ellis for Southampton City Council in 1966, and is located near Southampton Central Station and the Mayflower Theatre. Wyndham Court includes 184 flats, three cafes or restaurants and 13 shops, and was completed in 1969. The building replaced the original dense footprint of small streets and courts, which had remained unchanged on this site since pre-1846. The area was badly bombed during Southampton’s blitz & never recovered. Architecturally, it is suggested that the form of Wyndham Court evokes cruise ships, which sailed from the nearby Port of Southampton. English Heritage described its irregular facades as “sculptural and expressive” & the architects’ use of white concrete was intended to be sympathetic to older civic buildings, which dominate the city centre.   2014-09-16 10.07.44

‘…the kerb edge marks the route of the Southampton & Salisbury Canal…an ill-fated venture 1795 – 1808’

The carriageway of Blechynden Terrace is generally understood to be the filled in canal basin of the Southampton & Salisbury Canal. The original villas along Blechynden Terrace, destroyed by bombing during WWII, were built in 1830 along the edge of the now filled-in basin. ‘The Bankrupt Canal’. 1795-1808. Yellow Southampton Papers No.5   2014-09-16 10.14.13   2014-09-16 10.25.38

‘it was so busy at weekends there was no room to sit down at high tide…’

Pre-1847 & the coming of the railway, the area was described as ‘Southampton’s Riviera’. REF.16/7/82 HS.h. History Localities. SCC Libraries & Archives. Local History & Maritime.

2014-09-16 10.22.39

Looking west along Blechynden Terrace, with Wyndham Court on the right hand side, towards Southampton Central Station on the left. This was the historic shoreline of the River Test Estuary.

2014-09-16 10.12.40

‘Heart of the Campus’, Sheffield Hallam University, Collegiate Campus

Tuesday, August 2nd 2014 – Collegiate Crescent, Sheffield Hallam University. Today I attended on site to review the Phase 1 glazing manifestation artwork installations for myself and meet with VGL who were on site to view the works in tandem with the main contractor, Graham Construction. I was also meeting with the University Clients to review the final scope for the Phase 2 installation of artwork. The building now appears to be semi open for use – but still going through various procedures and protocols, I suppose to ensure all goes smoothly once the mass of students arrive later this month! Great not to have to gear up with PPE. The building is looking amazing. Graham & HLM have done a wonderful job. External landscape is almost completed. The East Elevation of the building has an amazing aspect. It was a clear blue-sky day with lots of sun, which are good conditions for looking at the manifestations, as they are more likely to cast great shadows, which add considerably to the impact and variation within the works.

Sheffield Hallam University, Collegiate Crescent

Sheffield Hallam University, Collegiate Crescent

As seen from Crescent Road

As seen from Crescent Road

cnc routed West Elevation rainscreen

CNC routed West Elevation rain screen

The West Elevation rain screen is really quite reflective in strong sun. Athough this is a painted grey finish, it is glossy and can appear metallic. The exposed Rockpanel material beneath the colour coat has now really darkened from the earlier yellow colour. The surface is more subtle, but richer in appearance. The impact is muted from afar, but the details really begin to emergeon the approach.

The Western Entrance off Broomgrove Road is now almost completed. Some final touches to the landscaping will see this completed. As you pass through the entrance doors, the interior quickly opens out onto the central atrium, which is spectacular. The glazing manifestation artwork can be clearly seen.

The Western Entrance off Broomgrove Road is now almost completed. Some final touches to the landscaping will see this completed. As you pass through the entrance doors, the interior quickly opens out onto the central atrium, which is spectacular. The glazing manifestation artwork can be clearly seen.

2014-09-02 13.30.43

Entering the atrium space and hub of the building, with the main reception on the right and the main East Entrance straight ahead, you can just start to make out the glazing installation. If you turn to the left, this is what you see....

Entering the atrium space and hub of the building, with the main reception on the right and the Main East Entrance straight ahead, you can just start to make out the glazing installation. If you turn to the left, this is what you see….

2014-09-02 11.37.39

The central atrium space as seen from Level 1

This is the three storey central atrium space and ‘Heart of the Campus’. The client had originally commissioned artwork manifestations to much of the visible glazing, but on reflection, the transparency and legibility of the interior spaces & architectural form may have been compromised and it was decided to omit them from the project.  The artwork manifestations to the ground floor exterior curtain wall glazing, linking the East and North entrances, is still being commissioned as the Phase 2 works.

Shadows cast by the artwork manifestation add another dimension to the work and come and go with the sun.

Shadows cast by the artwork manifestation add another dimension to the work and come and go with the sun.

2014-09-02 10.06.09

This image shows the artwork applied to the interior glazed lobby, with the central atrium space just visible on the left.

This image shows the artwork applied to the interior glazed lobby, with the central atrium space just visible on the left.

2014-09-02 10.07.01

2014-09-02 10.07.54

In bright sunlight, shadows are cast form the manifestation to carry across structural elements such as glazing screen frames and supporting columns. This interplay extends the range and impact of the artwork.

2014-09-02 10.08.39

The East Elevation Main Entrance doors are automatic and the manifestations cross and overlap as the doors open, creating yet another pattern.

2014-09-02 10.08.53 2014-09-02 10.09.07 2014-09-02 10.10.01 2014-09-02 10.10.10 2014-09-02 10.27.13

2014-09-02 10.28.15

North Entrance glazed elevation with applied artwork manifestations.

2014-09-02 10.29.59

Detail of digitally printed artwork to glazing manifestations. North Entrance glazed screen.

2014-09-02 11.35.17

East Elevation glazed screen with applied artwork manifestations. This is the main entrance and interior lobby area with reception.

Seen from the open balcony areas of Level 1, the North Elevation entrance artwork can be clearly seen.

Seen from the open balcony areas of Level 1, the North Elevation Entrance artwork can be clearly seen.

East entrance interior lobby space.

East Entrance interior lobby space.