Tag Archives: Art in Hospital

Tameside Macmillan Unit

Thursday 10th March 2016

In February I was appointed as artist to the Tameside Macmillan Unit project.

The commission was offered by Tameside Hospital NHS Foundation Trust and Macmillan Cancer Environments.

Willis Newson, one of the UK’s leading Arts and Health Consultancies, are managing the arts and interior design strategy and artist appointment for the project.

‘Tameside Macmillan Unit is a medium sized refurbishment project at Tameside General Hospital in Ashton-under-Lyne, near Manchester. Building on existing facilities provided by the Trust and Macmillan for cancer patients, the new unit will include a Macmillan Information and Support Centre, a 6 chair treatment room, waiting areas, procedure rooms and various spaces for alternative therapies’. Text from Artist’s Brief by Willis Newson

Work is due to start on site in March/April 2016 and due to be completed in September/October 2016.

An integrated approach to art, architecture and design is being delivered by Michael Hughes of IBI Architects supported by KKE Architects delivering landscape design.

 

Christopher Tipping at top of Wild Bank, Tameside. 399m above Sea Level. Image: Stewart Ramsden
Christopher Tipping at top of Wild Bank, Tameside. 399m above Sea Level. Image: Stewart Ramsden

This is me at the top of Wild Bank, Tameside, the highest point on my 12 mile walk with Stewart Ramsden, a member of the project Arts Steering Group, supporting and championing the project – and also Chairman of the Tameside Ramblers. 

‘A consultation workshop was held with patient, family and staff representatives to explore opportunities for the art, interiors and courtyard design. The session used creative activities to explore the group members’ personal experience and coping strategies and to identify common themes. Participants shared an appreciation of the value of ‘walking in nature’ as a healing experience and the beauty of the landscapes of Tameside: it was agreed that “Journeys through the Landscapes of Tameside” would provide a good overarching theme’. Text from Artist’s Brief by Willis Newson

It was decided that, due to time concerns and programme, I would base the creative response to the project broadly on a two day visit to meet with unit staff and service users, project architect Michael Hughes of IBI Group, Bronwen Gwillim of Willis Newson & Gareth Llewellyn, Capital Project Manager for the Trust. This was an opportunity for me simply to listen and hear about how cancer services were delivered to patients and how key factors affect that experience and how the environment can really make a difference. We also had a tour of the site – see some images to follow – and a detailed review with the architect of all plans for the work. At the end of Day 1, I walked into Ashton-Under-Lyne, to better understand the setting of the hospital and the community it serves.

 

 

 

…and a walk into Ashton-Under-Lyne

Friday 26th February 2016 – Ashton-Under-Lyne

What caught my eye walking into Ashton-Under-Lyne was the architectural legacy of an industrial past. Robust brick architecture with exuberant and self-confident detailing.

Industrial brick architecture in Ashton-Under-Lyne. Image: Christopher Tipping
Industrial brick architecture in Ashton-Under-Lyne. Image: Christopher Tipping
Industrial brick architecture and ironwork in Ashton-Under-Lyne. Image: Christopher Tipping
Industrial brick architecture and ironwork in Ashton-Under-Lyne. Image: Christopher Tipping
Industrial brick architecture and ironwork in Ashton-Under-Lyne. Image: Christopher Tipping
Industrial brick architecture and ironwork in Ashton-Under-Lyne. Image: Christopher Tipping
Metro Cinema - built 1920. Architectural Faience. Ashton-Under-Lyne. Image: Christopher Tipping
Metro Cinema – built 1920. Architectural Faience. Ashton-Under-Lyne. Image: Christopher Tipping

This is an amazing building – wonderful architectural faience ! It occupies a corner site with another fully glazed elevation.

Spectacular & robust doorway. Ashton-Under-Lyne. Image: Christopher Tipping
Spectacular & robust doorway. Ashton-Under-Lyne. Image: Christopher Tipping
Architecture in Ashton-Under-Lyne. Image: Christopher Tipping
Architecture in Ashton-Under-Lyne. Image: Christopher Tipping
Decorative Architectural Ironwork, Ashton-Under-Lyne. Image: Christopher Tipping
Decorative Architectural Ironwork, Ashton-Under-Lyne. Image: Christopher Tipping
Elongated doorway - Architecture of Ashton-Under-Lyne. Image: Christopher Tipping
Elongated doorway – Architecture of Ashton-Under-Lyne. Image: Christopher Tipping
Architecture & Streets of Ashton-Under-Lyne. Image: Christopher Tipping
Architecture & Streets of Ashton-Under-Lyne. Image: Christopher Tipping
Camden House built 1851, No.2 Grey Street, Ashton-Under-Lyne. Image: Christopher Tipping
Camden House built 1851, No.2 Grey Street, Ashton-Under-Lyne. Image: Christopher Tipping
Corner building, Stamford Street, Ashton-Under-Lyne. Image: Christopher Tipping
Corner building, Stamford Street, Ashton-Under-Lyne. Image: Christopher Tipping
Signage in Ashton-Under-Lyne. Image: Christopher Tipping
Signage in Ashton-Under-Lyne. Image: Christopher Tipping
Commercial Building, Architecture of Ashton-Under-Lyne. Image: Christopher Tipping
Commercial Building, Architecture of Ashton-Under-Lyne. Image: Christopher Tipping
Commercial or Warehouse Building, Ashton-Under-Lyne. Image: Christopher Tipping
Commercial or Warehouse Building, Ashton-Under-Lyne. Image: Christopher Tipping
Patterns of Architecture in Ashton-Under-Lyne. Image: Christopher Tipping
Patterns of Architecture in Ashton-Under-Lyne. Image: Christopher Tipping
St Michael and All Angels Church of England, Ashton-Under-Lyne. Image: Christopher Tipping
St Michael and All Angels Church of England, Ashton-Under-Lyne. Image: Christopher Tipping

 

 

 

70th Anniversary Screen, Central Concourse, Jubilee Building, Musgrove Park Hospital

Architen Landrell, who manufactured and installed the tensile screen, sent me their project images this week. Some of these I hadn’t seen before, so  am now posting for the first time.

One side up !
One side up !
Looking into the central void space between columns.
Looking into the central void space between columns.
One side of the double sided screen is attached -
One side of the double sided screen is attached –
Digitally printed fabric in process of installation and attaching to frame.
Digitally printed fabric in process of installation and attaching to frame.

They show the fabric installation in progress and the steel frame attached the columns in the Central Concourse. The concept for the work was determined by the need for the fabric to create a privacy screen between the main thoroughfare and hub of the Central Concourse & the clinical corridor which ran adjacent to it, without compromising the architectural space or blocking light. GEDC0208_1.0 - (602627)_Extra Large - (762759)

The tensile fabric is translucent and the supporting structure and columns can be seen through it.
The tensile fabric is translucent and the supporting steel frame structure and architectural columns can be seen through it.

IMG_4506

Detail: Shadow 'Cross' & dynamic flow of archive narrative .
Detail: Shadow ‘Cross’ & dynamic flow of archive narrative .

Text was used as both a textural device and a narrative with which to lead the viewer through the work. Text came from two primary sources. The Hospital provided a great archive through which to trawl. A good deal of this was in the form of written accounts of service by retired staff. The other source was form an ex US Servicemen, Sidney A. Smith MD, who had served as a doctor at Musgrove Park during WWII. His book, A History of Musgrove Military Hospital During World War II and The 67th General Hospital, was a fascinating account of the early years and origins of the Hospital. Sidney Smith had very kindly allowed me access to his photographs & images  during my time working a lead artist at Musgrove Park. Some of this text is below:   “A Royal Visit by H.M Queen Elizabeth the Queen Mother on Thursday, 19th November 1959, was a great occasion for Taunton. The town was gaily decorated, church bells pealed, and, despite the dismal weather forecast, the spirit of the people was at its brightest. Following the reception at the Station, H.M. Queen Elizabeth left for the Musgrove Park Branch of the Taunton & Somerset Hospital, where on arrival, she was presented with a posy of orchids, pink rosebuds and lilies of the valley”.  “The 67th General Hospital adopted a banner, which bore images of a Pine tree and a cactus plant to symbolize the Maine contingent of doctors and nurses joined with the enlisted men who were mostly from Texas and Oklahoma”.  “We used to have Sunflower competitions at the back of x-ray. Seeds would be planted and ingenious methods of support would be rigged, much to the amusement of both staff and patients”.   “From the beginning of my time here we had the National Uniform, classic navy blue for the Sisters and light blue for the Staff Nurses and of course you had your belt, which kept many a waistline under control. We were quick to abandon the paper hats, although the sisters were more reluctant to lose their frilly hats and sleeves. Everyone knew who you were because of the uniform you wore”. 

The frame as seen from level one.
The frame as seen from level one.
The tensile work fully installed. The right hand side of the Central Concourse will become a retail area with units running the same length as the screen opposite.
The tensile work fully installed, as seen from the Level 1 balcony. The right hand side of the Central Concourse will become a retail area with units running the same length as the screen opposite. They are just out of shot in this image.

The Central Concourse space has a fantastic timber ceiling detail by Project Architects BDP. GEDC0236_1.0 - (602653)_Extra Large - (762779)