I imagined an abstracted landscape as a positive way of encapsulating all that has inspired my commission for the Hydrotherapy Pool glazed screens. (There are approximately 46sqm of glass combined in both screens).
Both Hospital sites were originally set in and adjacent to open fields and expansive views of countryside. Easy to imagine then how beneficial this must have been to those patients and staff who experienced this.
It is now commonly understood that exposure to natural spaces, planting and nature within medical and healing environments is of great benefit and assists in the recovery and positive experience of patients and staff alike.
Deer with Roman pattern. Research Images developing patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher Tipping
This glass landscape is populated with recognisable motifs, such as flowers, deer and trees, woven together with abstract forms and repeating patterns. Local landmarks such asKelston Round Hillalso feature, as do references to the architectural decoration and built heritage of The Minand its archaic Roman Mosaics. However, the most visible motif perhaps is water, and more explicitly, the gestural movement of water as shaped by those taking treatment in the Hydrotherapy Pool. A shape made in water informed by the movement of a hand or leg. Abstractions of steam or mist appear to hover in this landscape. Water is contained within a bowl or pool. An elegant but dynamic abstract splash of water drifts across the whole of the East Screen. The connection to hot springs and flowing waters has shaped Bath into the World Heritage Site we see today.
I have been so impressed with the positivity and care of the medical staff delivering these services, I wanted to evoke this caring nature with visual clues within the work, which may express this. Growing flowers and creating gardens is a nurturing vocation. Water is an elemental part of this. Historically, The Min was built upon the grounds of the first Theatre in Bath, and the later extension built upon the formal gardens of Rectory House. Adjacent to the ChapeI at the rear of The Min is a small but lovely garden. Also in Bath, Gibbes Garden was a 15th Century apothecary garden growing medicinal herbs.
Combe Park had formerly been the site of the Bath War Hospital built in 1916 to provide beds and medical services for WW1 Casualties. There was a small pond and a stream ran nearby. Patients and staff were encouraged to grow and maintain flower gardens & were rewarded with prizes.
I was offered a session at the Hydrotherapy Pool at The Min as a way of understanding a little more about the impact of water as a treatment. I am not a patient – I cannot experience this as many do on a daily basis, not I am I in the process of healing or tempering acute conditions. Patients vary from those with lifelong conditions, such as Ankylosing spondylitis and others suffering from chronic pain, to physiotherapy in the pool following operations or broken limbs. All I can aim for is to add to the interior space with something visually interesting / beautiful / stimulating to this brand-new environment, which makes the experience for both staff and patients a pleasant and perhaps an intriguing one.
The following images make up the final draft artwork approved for production by the RUH. The Magenta/Pink colour is used to indicate clear/fully transparent glazing with no artwork. White represents sandblasting and / or Ceramic Etch techniques. All other colour is created using Screen-printed Ceramic Colour fired onto the glass. The artwork is applied to the two inner faces of a double glazed sealed unit. There is a subtle overlaying of motifs, which means that the artwork is slightly different as seen from the interior, than the exterior. These drafts are created initially via hand drawing and assembled and finished in Adobe Photoshop and Illustrator.
Final Master Draft for the North and East Glazed Screens. Artist: Christopher TippingResearch Images developing patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher TippingResearch Images developing colour & patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher TippingFinal Master Draft for the East Glazed Screen. Artist: Christopher TippingFinal Master Draft for the East Glazed Screen detail 4. Artist: Christopher TippingFinal Master Draft for the East Glazed Screen detail 3. Artist: Christopher TippingIris drawing. Research drawings developing motifs and patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher TippingFinal Master Draft for the East Glazed Screen detail 2. Artist: Christopher TippingDraft Donkey with pattern. Research Images developing motifs & patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher TippingOrange. Research Images developing motifs, patterns & colours from research at the RNHRD, including The Min Chapel. Artist: Christopher TippingFinal Master Draft for the North Glazed Screen detail 1. Artist: Christopher TippingFinal Master Draft for the North Glazed Screen detail 2. Artist: Christopher TippingFinal Master Draft for the North Glazed Screen detail 3. Artist: Christopher TippingDraft 16 Foil shape with Foxgloves. Research drawings developing motifs & patterns from research at the RNHRD, including The Min Chapel. Artist: Christopher Tipping
Rogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard Gooding
A simple monolithic granite bench was also commissioned for Rogallo Place by Optivo Homes. A beautiful honed finish is sandblasted with the name of the building alongside detailed motifs reflecting the glazing vinyls of the building’s interior.
The bench was manufactured and supplied in collaboration withHardscape,as ever, great to work with.
Rogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Granite Bench by Artist Christopher Tipping. Image: Hardscape
The image above was taken during production at Hardscape’s Facility at Long Marston, near Stratford Upon Avon.
Rogallo Place Granite Bench by Artist Christopher Tipping. Image: HardscapeRogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Granite Bench Drawings by Hardscape for Artist Christopher Tipping. Image: HardscapeRogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Granite Bench by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Granite Bench by Artist Christopher Tipping. Image: Francis Knight Art Consultants
Rogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard Gooding
Rogallo Place has now completed on site with all artworks successfully in place. Many thanks to Francis Knightfor the usual brilliant arts management and collaboration, and to Optivo Homesfor the opportunity.
A big thanks also to my specialist manufacturers & collaborators, VGL & Hardscape for their invaluable contribution.
Rogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard GoodingRogallo Place Glazing Vinyl by Artist Christopher Tipping. Image: Richard Gooding
VGL Art Room, Reading. Approving Production Files. Image: Christopher Tipping
As with most of my projects I rely on creative collaboration and engagement with specialist suppliers and manufacturers. VGL are one of the best I have worked with. Their digital printing facilities are excellent, but it their outstanding collaborative skills which enable me to create work like this. The following images are from a factory visit in July 2018 to review sample production and the creation and sign off of the digital production files.
VGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Image: Christopher TippingVGL Digital Print Sampling. Rogallo Place. Image: Christopher TippingVGL Digital Print Sampling. Rogallo Place. Image: Christopher TippingVGL Print Room Samples for Rogallo Place. Image: Christopher TippingVGL Digital Print Sampling. Rogallo Place. Image: Christopher TippingVGL Print Room Samples for Rogallo Place. Image: Christopher TippingVGL Print Room Samples for Rogallo Place. Image: Christopher Tipping
Image: Draft artwork with re-imagined stones by Christopher Tipping 2018
I have been commissioned to create artwork to be digitally printed onto optically clear vinyl for the external glazing of the new Cancer Unit at Dorset County Hospital. Dorset’s pioneering new cancer unit is under construction and is due to be delivered in 2018. It is being built and operated jointly by Poole and Dorset Hospitals. My approach has been framed by a research trip I made back in June 2008 to the Jurassic Coast World Heritage Site and to Dorchester Museums Archive Collections and the Natural History Museum in London.
Image: Christopher Tipping- Jurassic Coast Dorset 2008Image: Christopher Tipping- Display Box of Microfossils, Dorset County Museum 2008Image: Found objects and natural abstractions for Dorset County Hospital Cancer Unit by Christopher Tipping
Ten years ago I created artwork for wayfinding and inlaid bespoke floor coverings for the corridors of the main hospital buildings and also for Maiden Castle House, which provides Psychiatric Services for the Trust. This original body of work, completed in 2010 was considered a resonant starting point for this new project in 2018 and has been instrumental in underpinning the artwork created for the Cancer Unit.
Alex Coulter, former Arts Manager, Arts in Hospital writing in 2008 said –
‘The artist, Chris Tipping, researched and recorded geological structures, fossils and land forms along the Jurassic coast as the basis for his designs. He made drawings on the coast and in Dorset County Museum’s collections and talked to geologists based at Southampton University to help inform his ideas. Chris was interested in the idea that the floors in the hospital could be interpreted as the layers or strata of the coast with fossil like patterns embedded in them and fragments and elements emerging where different layers meet. They are inlaid into the floor at key areas such as lift thresholds and at the top of staircases to help with wayfinding while smaller elements break up long expanses of corridor. It was Chris’s idea to curve the edges of the flooring and to reveal sections of designs rather as you might see a fragment in the cliff. The technology used is sophisticated with laser cutting creating elements which fit together with no need for sealant in-between. His designs enliven what would otherwise be vast expanses of plain flooring and contribute to making the hospital environment more stimulating and appealing for patients – a healing environment’.
‘Initial consultation with patients and staff suggested that the theme of the Cancer Unit artworks should evolve around nature and light, “Letting in the Light”. Medical and psychological evidence is strong that natural images, textures, patterns and light are all beneficial for wellbeing and recovery . Contact with Nature has been reported to have psychological benefits by reducing stress, improving attention, by having a positive effect on mental restoration, and by coping with attention deficits.
Natural light is important to healing and wellbeing and patients with views of open spaces get better faster. As the views from the new Cancer Unit will be limited to other hospital buildings and urban Dorchester, art can provide an alternative view for patients through translucent imagery of landscape and natural forms on windows. The window vinyls must in any case screen off views of the interior from outside by passers-by and occupiers of adjacent buildings, as necessary for patient’s actual and perceived privacy and confidentiality without the need for blinds and the accompanying loss of light’.
Dorset’s pioneering new cancer unit is under construction and due to be delivered in 2018 is being built and operated jointly by Poole and Dorset Hospitals. It will deliver world class health care for our local communities. The project will develop cancer facilities for patients all across Dorset and bring radiotherapy services to Dorchester for the first time. The new facilities will be life-changing, particularly for people who have previously had to travel long distances for radiotherapy services in Poole.
The unit will serve people of all ages, who have been diagnosed with cancer as well as their families. Patients who use this service are likely to be distressed and for some people, they may be living with a terminal diagnosis. The unit will be home to new linear accelerators (LINAC) – the device most commonly used for external beam radiation treatments for patients with cancer. It will be a multi-functional space offering life changing radiotherapy, consulting rooms and counselling rooms. The unit will also be used by support groups. The unit is being funded Dorset County Hospital Charity, Dorset County Hospital NHS Foundation Trust(DCHFT), Poole Hospital NHS Foundation Trustand with a major legacy from the photographer Robert White, a local man who died from cancer in 2015′.
Image: Draft Artwork for Dorset County Hospital Cancer Unit by Christopher TippingImage: Draft Artwork – Found & re-imagined stones for Dorset County Hospital Cancer Unit by Christopher TippingImage: Draft artwork for Dorset County Hospital Cancer Unit by Christopher Tipping
Some brilliant new images of my project for the new Macmillan Unit at Tameside & Glossop Integrated Care NHS Foundation Trust have come to light. It is always refreshing to see how others see your work & the space it was created for. In this instance I was very kindly given permission by Mike Hearle, European Digital Marketing Manager for Construction Specialties– to use images from their website. Construction Specialities supplied and installed the solid timber handrails running through the unit. Take a look …the artwork was digitally printed and installed by VGL. The project was delivered by IBI Group Architects and Willis Newson, the UK’s leading arts and health consultancy.
Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction SpecialitiesTameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities
“Rogallo Place is an extra care scheme with 63 apartments available for rent or shared ownership. FrancisKnight has commissioned artist Christopher Tipping with a brief to create art work that aids a sense of arrival to the buildings entrance. Designs are currently in production for vinyl artwork and a sculptural granite seat that reflect the historic rural and agricultural lands and the relationship with Rochester Airport that was built upon the local farmland. The Rogallo Wing is also credited which was a precursor to the modern hang glider and paraglider”. Francis Knight
Draft artwork for glazing vinyls. Rogallo Place, Horsted, Rochester. Image: Christopher TippingDraft artwork for glazing vinyls. Rogallo Place, Horsted, Rochester. Image: Christopher Tipping
Rogallo Place, Horsted Park, Rochester. Site Visit August 2017. Image: Christopher TippingRogallo Place, Horsted Park, Rochester. Site Visit with Francis Knight, August 2017. Image: Christopher Tipping
Rogallo Place will provide 63 apartments – a new community will grow together here – part of the much larger new community of Horsted Park.
I am proposing that this artwork will be digitally printed on optically clear vinyl and applied to the glazing screens of the Entrance and Reception areas of the building.
I am creating abstract motifs inspired by various plans for ‘flexible wings’ such as Delta shaped airfoils and Ram-air types to create assemblies and group formations, which are intercut and mixed with drawings of plants and landscape. At a small-scale these new formations may themselves resemble flowers and plants within an abstract landscape. The groups are also suggestive of people and individuals coming together to form new associations and a new community. This approach is further inspired by aerial views of the locale taken from historic & contemporary aerial mapping as well as information gathered from local historic sources to create abstract motifs suggestive of clouds and patterns of updraft and airflow experienced by fliers, as well as textures and colours of field patterns and woods.
THE OS Map of 1869 shows Horsted Farm, with its Pond, Orchard & Chalk Pit surrounded by woods within a rural, agricultural landscape. Historic rural and agricultural lands with orchards, gardens and allotments surrounded by woods, which have been cultivated and managed for hundreds of years, interspersed with small communities working together. ‘The Horsted Valley is a wonderful green resource. It is one of the Medway Towns hidden gems, providing a vital green buffer between the surrounding urban areas and an important area for recreation and relaxation, and yet also providing a vital refuge and home for a wide variety of plants and animals’. Friends of Horsted Valley
Churchland Wood
Great Chatham Grove
Newland Wood
Crooked Oak Wood
Newland Shaw
Warren Wood
East Cookham Wood
Great Delce Wood
Little Delce Wood
Horsted Grove
Westfield Wood
Slippers Wood
Crowhill Shaw
Court Bushes
Monk Wood
Bridge Wood
Detail of the OS Map of 1869 showing Horsted Farm. Image: National Library of Scotland – Map Images
Fort Horsted is one of five Forts built to protect the eastern flank of Chatham and the Dockyard, with its inherent history of military order, regimentation, defence and protection to draw upon.
Construction works started on Fort Horsted in 1880 – one of five Forts protecting Chatham’s Eastern Flank and primarily its strategically important Dockyard. Ordered by the Royal Commission following its report of 1860, the Fort was constructed by convicts under the supervision of the Royal Engineers.
Darland
Twydall
Luton
Horsted
Bridgewoods
The Fort sits adjacent to the historic Horsted Farm and the new Horsted Park. Its starkly geometric form is striking in plan in the landscape.
Detail of the OS Map of 1955 showing Fort Horsted. Image: National Library of Scotland – Map ImagesDraft artwork for glazing vinyls. Rogallo Place, Horsted, Rochester. Image: Christopher Tipping
Rochester Airport was established in 1933 and built upon local farmland is the nearest industrial and business neighbour to Horsted Park. Its close proximity has been the inspiration for the street names throughout the site.
Rochester City Council compulsory purchased the land at Rochester Airfield in September 1933 from the landowner as the site for a municipal airport. One month later Short Brothers, who had started building aircraft in 1909 on the Isle of Sheppey, asked for permission to lease the land for test flying and thus began the privileged relationship between the local authority and the aviation industry.
In 1934-5 Short Brothers took over the Rochester Airport site when they moved some of their personnel from the existing seaplane works. Pobjoy Airmotors Ltd moved to Rochester at the same time to be closer to Short Brothers, to whom they were contracted for production of aircraft engines for the Short Scion. Financial difficulties led to a capital investment by Shorts in Pobjoy and the eventual assimilation of Pobjoy.
Rogallo Place itself has been named in response to this aviation history by taking its name from Francis Rogallo 1912 – 2009, an American aeronauticalengineerinventor born in Sanger, California, U.S.; who is credited with the invention of the Rogallo Wing, or “flexible wing”, a precursor to the modern hang glider and paraglider. His patents were ranged over mechanical utility patents and ornamental design patents for wing controls, airfoils, target kite, flexible wing, and advanced configurations for flexible wing vehicles.
Francis Rogallo is still celebrated through aviation events, such as the Rogallo Kite Festival held annually at Nags Head Outer Banks North Carolina. His inventions started the sport of hang gliding and his designs have carried over into the stunt kites, power kites and hang gliders that are flown today. This event provides some very surreal and colourful images.
Draft artwork for glazing vinyls. Screens C & D – Rogallo Place, Horsted, Rochester. Image: Christopher TippingDraft artwork for glazing vinyls. Screens C & D – Rogallo Place, Horsted, Rochester. Image: Christopher TippingDraft artwork for glazing vinyls. Screens A & B – Rogallo Place, Horsted, Rochester. Image: Christopher TippingDraft artwork for glazing vinyls. Screens A & B – Rogallo Place, Horsted, Rochester. Image: Christopher TippingDraft artwork for glazing vinyls. Screens A & B – Rogallo Place, Horsted, Rochester. Image: Christopher Tipping
To compliment this interior work, I am also proposing an intervention in the landscape just outside the main entrance area.
A granite seat in several sections; a monolithic block of honed granite with large letters sandblasted into the vertical face of the seat spelling out ROGALLO PLACE. In plan, the shape suggests part of a delta wing – perhaps a nod to the Rogallo Place logo and the robust and enduring form of the nearby Fort Horsted.
Rogallo Place Drawing of Granite Bench by Hardscape. Image: Permission of Hardscape England.Rogallo Place Drawing of Granite Bench by Hardscape. Image: Permission of Hardscape England.Granite Benches Draft V2 Rogallo Place. Image: Christopher TippingGranite Benches Draft V1 Rogallo Place. Image: Christopher Tipping
Designs reproduced from the glazing vinyl artwork could also be sandblasted onto the honed granite surfaces, contextually and visually joining the two elements.
Granite for the bench is supplied and manufactured by Hardscape.
Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping
Draft artwork awaiting approval to go into production – we are working with our client team to review / comment and approve in the next few days so we can meet our install schedule.
Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping
At this stage I set all the imagery against a black background – which actually indicates glazing with no printing – just clear glass.
This work will be digitally printed onto optically clear vinyl. The process allows for a layer of colour, followed by a layer of white and finally another layer of colour. The artwork can be read equally from both viewing sides – inside or outside the building. The production level artwork files, sampling and final digital printing and installation is done by my long-time collaborators, Vinyl Graphics Ltd.
Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping
Various degrees of opacity and transparency are designed into the artwork. As a rule this is worked out via single colour files – in this case magenta – which clearly indicate degrees of opacity.
Draft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Artwork: Littlemore Mental Health Centre. Artist: Christopher TippingDraft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping
This new development of 64 Extra Care Apartments at Orchard Park, recently delivered in April this year by The Riverside Group is called ‘Harrison Park’, 100 years after Jack Harrison VC a former Hull FC Rugby League Star was killed at Oppy Wood, Arras, France in 1917 during the First World War.
Today – the 3rd May 2017 marks the day all four Hull Pals Battalions took part on the attack on Oppy Wood.
A Pinterest Board of research images about Orchard Park and its history, can be found here.
Hull is currently celebrating City of Culture 2017status, so there is much to do and see there ! –
Detail: Glazing Vinyl installation Harrison Park, Hall Rd, Hull Extra Care. Artist: Christopher TippingDetail: Glazing Vinyl installation Harrison Park, Hall Rd, Hull Extra Care. Artist: Christopher Tipping
This arts in health project was commissioned for Wenric Ward , which provides Low Secure Adult Services – by Tom Cox of Artscapeand the Staff of Wenric Ward.
Information about the history of the earlier Littlemore Hospital in Oxford can be accessed via this link to the Oxfordshire Health Archives and to the accompanying site about County Asylums .
Tom worked alongside Occupational Therapists Helen Keay (Senior OT) and Holly Williams, in collaborating with patients, to undertake a series of workshops centred around drawing and mark making. I was subsequently provided with access to these drawings as inspiration for the artwork, using where possible, drawing motifs, textures and colours which formed part of the outcome from the creative sessions.
The project site is created within the internal circulation space of the Ward, centred around a small external courtyard. Artwork will be digitally printed onto optically clear vinyl and applied to the glazing, which provides views into the courtyard. The artwork has been commissioned to be applied on three sides of the courtyard glazing taking in the Circulation Corridor, Lounge and Multi-Faith Room, animating the space, introducing colour and detail and to visually engage patients and staff.
Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher TippingDraft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping
