Tag Archives: Digital printing

Central Concourse – Musgrove Park Hospital

13th November 2014, Ramsgate

’70 years on…’ CENTRAL CONCOURSE SCREEN FOR THE JUBILEE BUILDING, MUSGROVE PARK HOSPITAL

I recently came across the work of the photographer, John Seaman, who had been commissioned by the main contractor for the Jubilee Building BAM to make a photographic record. Very lucky for me, that he has a great eye for catching the spirit & intent of the tensile artwork and its relationship to the building and interior space. ’70 years on…’ was a collaboration with Architen Landrell & VGL Vinyl Graphics  & was commissioned by Musgrove Park Hospital Capital Projects Office & Art for Life

 

'70 years on...' Tensile Artwork, Central Concourse, Jubilee Building.  Image: John Seaman Photography
’70 years on…’ Tensile Artwork, Central Concourse, Jubilee Building.  Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photography
Detail of transparent layering of the tensile screen. Image: John Seaman Photography
Detail of transparent layering of the tensile screen. Image: John Seaman Photograph

The Central Concourse Screen ’70 years on…’ was created to celebrate the delivery of the Jubilee Surgical Building & the 70th Anniversary of Musgrove Park Hospital. The project was Heritage Lottery funded.

The work is presented as a digitally printed tensile fabric screen made of 26 individually printed panels. It is supported by a bespoke lightweight aluminium & stainless steel double-sided ladder frame 21m x 1.8m, which is itself hung from 3 steel supporting columns of the Central Concourse building. The design & manufacture of the tensile screen and its method of digital printing balance well with the content of the work & its evocation of the past to present a contemporary artwork in a 21st Century Hospital.

The artwork is presented as a landscape, which, other than at each end, where curved steel panels protect the structure, the artwork can be viewed as a continual narrative sequence. However, this is not a timeline or a linear narrative, which has to be viewed in a particular way or from a particular viewpoint. The observer can simply roll up at any point along its 42m length and begin a journey or their own.

Text was employed in the design as both an aid to the visual narrative & to emphasize the importance of the hospital’s archive collection in this 70th Anniversary year. It also recalls individual and collective voices from the last 70 years. The work done by Louise Donovan, an archivist working with staff and patients past and present to recall their experiences working here has been included in “Sensing our Past”. 70 years of Musgrove Park Hospital’, published in 2012

Words have been used to draw with, or to conjure up the dynamic energy of the hospital. It is presented in a variety of ways, for example, following the line of the Galmington Stream, which runs along the boundary of the Hospital, or as a gestural expression, such as the whirlwind vortex drawing, or a simple circle of fine white text.

They are an eclectic and often mis-matched set of words, evocative of half remembered memories, anecdotes and stories, (as opposed to reproducing hard facts and figures within a fixed timeline). There are perhaps more ‘distant’ voices from early in the life of the hospital, particularly from it’s wartime experience, but I feel this is the way with memory – recall is distant and suggestive of the ‘good old days’.

Some elements within the artwork are obviously and easily recognizable, such as the iconic Eisenhower Tree & Galmington Stream, whilst others are abstract and elusive. A great number of the references are archival in origin, such as the colours, which were influenced by boxes of medical artifacts, some in the original packaging.

Bunches of flowers appear from between the seam joints, which evoke the Lily of the Valley presented to HM The Queen Mother or flowers given by visitors, which were held in vases attached to columns in the Nightingale wards.

The photographic archive too, which contains hundreds of images of staff at work and celebrating events such as Christmas & retirements, as well as visits by Royalty, or the American World Heavyweight Boxer, Joe Louis and the entertainer Bob Hope, who both visited the Hospital during World War II.

My own personal experience of being a part of this Hospital community since 2005, when I was appointed Lead Artist on the 10 year Hospital development programme is also evident in magery influenced by past projects undertaken here.

 

Image: John Seaman Photography
Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photography
Image: John Seaman Photography
Image: John Seaman Photography
Image: John Seaman Photography
Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photograph
Image: John Seaman Photography
Image: John Seaman Photography
Image: John Seaman
Image: John Seama

 

 

Bicester Community Hospital – draft artworks –

Bicester Community Hospital

We now have a schedule agreed and are working to issue draft artwork for comment and hopefully, approval by this time next week.

Detail: draft artwork -
Detail: draft artwork –

It was agreed that the principle we should follow is to develop a highly visual & primarily figurative narrative, which also provides a privacy screen between the users of the ward rooms and the external courtyards. The courtyard landscapes are brand new, with ground level put to grass and no planting at height to provide cover or privacy screening. This has however provided the opportunity to create a new and imaginary landscape, which bridges the gap between figurative and recognisable details and structures from the external landscape, alongside abstract and original forms and patterns found within the artwork.

The works are to be digitally printed onto optically clear vinyl in layers of opaque and transparent white, with some added colour. The attention to detail will be focussed on a horizontal band across the mid section of the glazing screen to provide privacy. The top section will be left clear, so that uninterrupted views of the sky can be had. We are working closely with Guardian Window Film to manufacture & install the work.

Detail: draft artwork development -
Detail: draft artwork development –

These images are simply the first steps in creating a visual language and narrative for the project. The artwork is being developed as a long rectangular landscape – as a view through a window – . Each of the 10 ward rooms – each with a window, will be detailed with a section of this work, to give the appearance that each room has a unique identity and view of its own.

Detail from sketchbooks
Detail from sketchbooks
Detail form sketchbooks
Detail form sketchbooks
Detail: draft artwork in black & white
Detail: draft artwork in black & white

The artwork draft above shows the printed artwork as shades and layers of opaque white. The black areas will show as clear glass in the final works.

Detail: draft artwork -
Detail: draft artwork – Mock up of vinyl application on the glazing screen in one of the ward rooms.

There are 10 small one & two bed ward rooms arranged in two ward blocks within the new hospital by Nightingale Architects. The rooms are full of natural light and the interior colour schemes are muted and calm, with the odd spot of brighter colour, such as the chair. The artwork manifestation will respond to this scheme. The views through the windows are now partially obscured, providing a degree of privacy for the user, whilst also maintaining sufficient clear glass to allow natural light and changing weather conditions to be seen.

Detail: Draft Artwork
Detail: Draft Artwork
Detail: Iconography has been developed for the project using drawings of leaves and branching structures to create original & imagined plants. These are not botanical illustrations, rather, an impression of a landscape imagined.
Detail: Iconography has been developed for the project using drawings of leaves and branching structures to create original & imagined plants. These are not botanical illustrations, rather, an impression of a landscape imagined.
Detail: Iconography
Detail: Iconography
Detail: Iconography
Detail: Iconography
Detail: Draft artwork for 3 x Chrysanthemums - various textures and transparencies
Detail: Draft artwork for 3 x Chrysanthemums – various textures and transparencies
Detail: draft artwork
Detail: draft artwork

 

 

Bicester Community Hospital

Wednesday 1st October 2014

I have just been commissioned by Tom Cox, Artscape Project Manager for Oxford Health NHS Foundation Trust to create artwork for the new Bicester Community Hospital.  The new hospital is being delivered by Kajima & Nightingale Architects alongside Mansell Construction – now part of Balfour Beatty Construction UK.

Bicester Community Hospital - Image by Kajima.co.uk
Bicester Community Hospital – Image by Kajima.co.uk

The new works will be digitally printed onto optically clear vinyl and applied to the glazed window & door screens of 10 ward rooms throughout the building.

Typical glazed integrated door & window screen for digitally printed artwork.
Typical glazed integrated door & window screen for digitally printed artwork.

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External view of ground floor elevation with glazed screens
External view of ground floor elevation with glazed screens

 

The work is being manufactured and installed to my designs by Guardian Window Film.

 

‘Heart of the Campus’, Sheffield Hallam University – Phase 2 Manifestations

Wednesday 1st October 2014

Yesterday the university client approved the Phase 2 artworks for the glazing artwork manifestations at the new ‘Heart of the Campus’ building for Sheffield Hallam University, Collegiate Campus.

The project was delivered by Graham Construction and HLM Architects.

The digitally printed glazing manifestation artworks will be manufactured and installed by VGL.

 

VGL's production artwork with annotations by the artist in red & blue -
VGL’s production artwork with annotations by the artist in red & blue –

 

Phase 2 draft artwork with production notes -
Phase 2 draft artwork with production notes –

 

Phase 2 artwork draft with production notes - detail
Phase 2 artwork draft with production notes – detail
Phase 2 artwork drafts with artist production notes - detail
Phase 2 artwork drafts with artist production notes – detail
Phase 2 artwork drafts with artist production notes - detail
Phase 2 artwork drafts with artist production notes – detail
Print
Phase 2 artwork draft in full –
Phase 2 - Detail of artist draft -
Phase 2 – Detail of artist draft –

 

Phase 2 - detail of artist draft -
Phase 2 – detail of artist draft –

 

Phase 2 - detail, artist draft -
Phase 2 – detail, artist draft –

Central Chelmsford – glazing artworks approved

Thursday 18th September 2014

The draft designs for the digitally printed vinyl manifestations to the glazed curtain wall at CentralChelmsford was approved some time ago, but I have omitted to post any images for some obscure reason !
Here they are !  –

14-07-15 glazing screen v1

 

Draft artwork for digitally printed vinyl to main entrance screen and lobby
Draft artwork for digitally printed vinyl to main entrance screen and lobby

In a similar approach as that adopted for my recent manifestation project at Sheffield Hallam University, which is a print-white only process, layering transparent & opaque detail onto optically clear vinyl. This project is being delivered in collaboration with VGL Ltd

Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen
Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

 

14-07-15 detail 2
Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

 

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Detail: Digitally printed vinyl manifestation to the glazed entrance lobby screen

Central Chelmsford

Central Chelmsford Site Visit – Monday 2nd September 2014

Anne Knight of Chelmsford
Anne Knight of Chelmsford – Detail: ‘Anne’, sandblasted text motif in Royal Green granite by Hardscape

Client: Genesis Housing Association – Main Contractor: Denne – Project Managers: Bidwells – Architects: PTE architects – Landscape Architects: Area Landscape Architects – Arts Consultant: Frances Lord

507 new homes as well as retail and offices will make up the new development. The project is delivering a blueprint for a new community in Chelmsford.

The site has a number of key buildings once part of Anglia Ruskin University, which are being partly or wholly retained and refurbished. These are the Frederick Chancellor Building of 1905 and the Law Building of 1931.

One of the most historic & resonant as well as the earliest buildings on the site is the Grade II listed Anne Knight building, a former Friends Meeting House from 1824. Named after one of Chelmsford’s most distinguished women, Anne Knight 1786 – 1862.

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Anne Knight was a Quaker and a stalwart Anti Abolitionist, one of very few women to attend the World Anti Slavery Convention meeting held in London in 1840. She would have attended this Quaker Meeting House, now named after her. This is the key anchor building on site.
Anne Knight Building
The refurbished Anne Knight Building with new public realm

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The view of The Gate with its blue black brick curved elevation. This area is intended as a public open space, extending the forecourt and public realm of Chelmsford Station. The ground floor elevations are glazed and the interiors will be used as retail and food outlets.

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Looking South, through the aperture into The Place. The elevation of The Gate is dynamic & brooding. The crisp detailing is pared down. A facade of cantilevered black balconies appear to jut out from deep into the interior of the building from recessed windows.

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Looking south towards Central Park through The Place. The main pedestrian route will be on the left of this image, with the remaining site will be landscaped as a formal courtyard garden for residents and visitors alike

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The view north, towards  the Station from within The Place

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These are both samples of text to be used in the interpretive artwork which is embedded throughout the site. The sample on the left is York Stone with inset water jet cut grey granite, by Ashfield Ltd. Inset text such as this is used for step risers at the south of the site. The sandblasted sample on the right is part of a Royal Green granite paving supplied by Hardscape , called The Stream which runs continuously through the site north to south. Both interventions are based on contextual and site specific research I undertook.

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Day Treatment Unit, Cancer Centre, Churchill Hospital, Oxford

Tuesday 16th September 2014, Oxford Churchill Hospital, DTU, Cancer Centre I came up to Oxford today to review the installation of the wall-covering artwork along with VGL and the Trust Arts Coordinator, Ruth Charity. The DTU is an oncology & haematology day unit delivering chemotherapy & other cancer related treatments. The staff delivering this service are the most dedicated and hardworking group of people. How they have made time to collaborate and input into this project has been truly brilliant and a pertinent and sharp reminder that projects such as this succeed because of a positive buy in & contribution by staff and stakeholders alike. The work is created around a central core ‘island’ of offices and consulting rooms about which day treatment chemotherapy services are delivered. Most of the chairs and beds face onto this central island, meaning that most patients spend hours at a time over many weeks or even years staring at dull, blank walls, during treatment, rather than out of the windows behind them, which incidentally are too high to see through. A concept approach was developed to change this dull & monotonous view into a contemplative and softly illuminated abstract vista, interrupted by the suggested shadows of overhanging branches and foliage with dappled light breaking through.

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Corridor linking Chemotherapy Waiting Room to Oncology day treatment room
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Haematology treatment space
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Nurse Station

 

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Detail: Digitally printed vinyl wall covering
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Detail: Digitally printed vinyl wall covering

 

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Nurse Station

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Patient and visitor drinks station
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Corridor linking Oncology day treatment space with the Chemotherapy waiting room
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Haematology treatment space nurse station
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Detail: Patient & visitor drinks station
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Haematology treatment space nurse station
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Detail
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Detail
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Detail
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Detail with penguins
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Detail
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Oncology treatment space main nurse station
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Hand wash station
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Oncology nurse station – Detail of wall covering
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Haematology treatment space – Detail of wall covering

‘Heart of the Campus’, Sheffield Hallam University, Collegiate Campus

Tuesday, August 2nd 2014 – Collegiate Crescent, Sheffield Hallam University. Today I attended on site to review the Phase 1 glazing manifestation artwork installations for myself and meet with VGL who were on site to view the works in tandem with the main contractor, Graham Construction. I was also meeting with the University Clients to review the final scope for the Phase 2 installation of artwork. The building now appears to be semi open for use – but still going through various procedures and protocols, I suppose to ensure all goes smoothly once the mass of students arrive later this month! Great not to have to gear up with PPE. The building is looking amazing. Graham & HLM have done a wonderful job. External landscape is almost completed. The East Elevation of the building has an amazing aspect. It was a clear blue-sky day with lots of sun, which are good conditions for looking at the manifestations, as they are more likely to cast great shadows, which add considerably to the impact and variation within the works.

Sheffield Hallam University, Collegiate Crescent
Sheffield Hallam University, Collegiate Crescent
As seen from Crescent Road
As seen from Crescent Road
cnc routed West Elevation rainscreen
CNC routed West Elevation rain screen

The West Elevation rain screen is really quite reflective in strong sun. Athough this is a painted grey finish, it is glossy and can appear metallic. The exposed Rockpanel material beneath the colour coat has now really darkened from the earlier yellow colour. The surface is more subtle, but richer in appearance. The impact is muted from afar, but the details really begin to emergeon the approach.

The Western Entrance off Broomgrove Road is now almost completed. Some final touches to the landscaping will see this completed. As you pass through the entrance doors, the interior quickly opens out onto the central atrium, which is spectacular. The glazing manifestation artwork can be clearly seen.
The Western Entrance off Broomgrove Road is now almost completed. Some final touches to the landscaping will see this completed. As you pass through the entrance doors, the interior quickly opens out onto the central atrium, which is spectacular. The glazing manifestation artwork can be clearly seen.

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Entering the atrium space and hub of the building, with the main reception on the right and the main East Entrance straight ahead, you can just start to make out the glazing installation. If you turn to the left, this is what you see....
Entering the atrium space and hub of the building, with the main reception on the right and the Main East Entrance straight ahead, you can just start to make out the glazing installation. If you turn to the left, this is what you see….
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The central atrium space as seen from Level 1

This is the three storey central atrium space and ‘Heart of the Campus’. The client had originally commissioned artwork manifestations to much of the visible glazing, but on reflection, the transparency and legibility of the interior spaces & architectural form may have been compromised and it was decided to omit them from the project.  The artwork manifestations to the ground floor exterior curtain wall glazing, linking the East and North entrances, is still being commissioned as the Phase 2 works.

Shadows cast by the artwork manifestation add another dimension to the work and come and go with the sun.
Shadows cast by the artwork manifestation add another dimension to the work and come and go with the sun.

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This image shows the artwork applied to the interior glazed lobby, with the central atrium space just visible on the left.
This image shows the artwork applied to the interior glazed lobby, with the central atrium space just visible on the left.

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In bright sunlight, shadows are cast form the manifestation to carry across structural elements such as glazing screen frames and supporting columns. This interplay extends the range and impact of the artwork.
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The East Elevation Main Entrance doors are automatic and the manifestations cross and overlap as the doors open, creating yet another pattern.

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North Entrance glazed elevation with applied artwork manifestations.
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Detail of digitally printed artwork to glazing manifestations. North Entrance glazed screen.
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East Elevation glazed screen with applied artwork manifestations. This is the main entrance and interior lobby area with reception.
Seen from the open balcony areas of Level 1, the North Elevation entrance artwork can be clearly seen.
Seen from the open balcony areas of Level 1, the North Elevation Entrance artwork can be clearly seen.
East entrance interior lobby space.
East Entrance interior lobby space.

‘Heart of the Campus’, Sheffield Hallam University, Collegiate Campus

Tuesday 26th August 2014 Several images of the installation have just come in from VGL ‘s installers. These are low res images. I will be making a trip up to Sheffield in the next week or so to review the site prior to the Phase 2 works being undertaken. I will hopefully get more detailed images too !

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Interior of the east elevation main entrance screen
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East elevation
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East elevation
Photo 21-08-2014 12 30 22 pm
East elevation
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Interior view of north elevation entrance screen

The Whiteleaf Centre, Aylesbury

Nightingale Architects have made available some new images of the project at The Whiteleaf Centre, Aylesbury. This particular image is of the large meeting room in the resource centre. The digitally printed artwork manufactured by Guardian is applied to the glazing screen. When the sun is strong, this creates an additional and fleeting, ephemeral extension of the artwork cast in shadow upon the floor and adjacent walls.

The digitally printed glazing artwork casts shadows on the adjacent walls.
The digitally printed glazing artwork casts shadows on the adjacent walls.

 

Detail of the Cafe and Waiting area of the resource centre. Image: Nightingale Architects
Detail of the Cafe and Waiting area of the resource centre. Image: Nightingale Architects
Christopher Tipping, the project artist standing next to a sample wall covering installation on the wards at The Whiteleaf Centre.  Image: Tom Cox
Christopher Tipping, the project artist standing next to a sample wall covering installation on the wards at The Whiteleaf Centre. Image: Tom Cox