Tag Archives: Integrated Design Team

WINCHESTER STATION APPROACH – PART 6 – STATION HILL – A LOCAL HISTORY

Station Hill leads up to Winchester Train Station from the busy junction of Stockbridge Road, City Road, Andover Road and Sussex Street. Swan Lane also joins here. The site has been historically known as Carfax, meaning the meeting of roads. The Carfax Hotel, formerly on the site now occupied by the Hampshire Records Office took its name from this historic site. The Masterplan proposals for this whole site, developed by Winchester City Council’s Consultants Lifschutz Davidson Sandilands Architects, is referred to as the Carfax Site. and incorporates the Station Approaches & public realm.

Winchester Station and environs. Annotated by me to show Streets and Roads. Image: Copyright Google Earth
A page referencing the history and standing of Station Hill and the Train Station taken from the Cultural Heritage Assessment for Station Approach, Winchester, by Elaine Milton, Heritage and Planning. Winchester City Council 2015
Station Hill 1909. Winchester Station Approach project. A local community. Images: Christopher Tipping Collection
Station Hill, Winchester. Winchester Station Approach project. A local community. Image: Copyright:Facebook.com/Oldwinchesterphotos/. Station Hill 1976.
Station Hill, Winchester. Winchester Station Approach project. A local community. Image: geograph – 4303039Photo © Jaggery (cc-by-sa/2.0)

Station Hill today doesn’t give much away about it’s local community or life as a lively neighbourhood, but this wasn’t always the case.

I will try to add to this post throughout the project as new research throws up characters and stories.

A page referencing the history and standing of Station Hill, the Train Station and environs taken from the Cultural Heritage Assessment for Station Approach, Winchester, by Elaine Milton, Heritage and Planning. Winchester City Council 2015
Warren's Street Directory 1890 Ref: H 042.27 Hampshire Archives & Local Studies, Winchester.
Station Hill, Winchester. Warren’s Street Directory 1890 – Ref: H 042.27. Hampshire Archives and Local Studies, Sussex Street, Winchester.

Above: Warren’s Street Directories, held in the Hampshire Records Office on our doorstep, lists street by street, almost everyone who lived at each residential property. If this was a business, then it lists the nature of the business, as well as the people who owned it. A wonderful archive. The books also contain the most interesting advertising for local products and services, mostly & brilliantly illustrated.

Carfax Hotel, Station Hill & Sussex Street, Winchester.Date unknown. Winchester Station Approaches Project. Image: Winchester City Trust.
Description of the Carfax Hotel by Barry Taylor from The Lost Pubs Project. http://www.closedpubs.co.uk/hampshire/winchester_carfaxhotel.html
Hampshire Archives and Local Studies. Sussex Street, Winchester. This building replaced the old Carfax Hotel. Image: Winchester City Council
AUTOWORK , (Winchester)Ltd. Station Hill, Winchester. Date Unknown. Winchester Station Approaches Project. Image: Winchester City Council
Station Hill looking down towards Sussex Street and Swan Lane. Date unknown. Winchester Station Approaches Project. Image: Winchester City Council.
Station Hill, Winchester. 1902 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Roger Brown’s Model of Winchester circa 1873. This brilliant model was made in the 1980’s and took 9 years to complete. Image: Christopher Tipping. Copyright: City of Winchester Museum.

The Train Station is seen above in the bottom left quadrant. Roger Brown’s model was based on the OS Map of 1873. Roger had been a Planning Officer for Winchester City Council.

Some key building are still extant , such as the Station and the South Western Inn, formerly the Railway Refreshment Inn – & up until 2015, Winchester Register Office. The Carfax Hotel is visible on the junction of Station Hill & Sussex Street. The terraced houses of Gladstone Street are there too, but the Reservoirs of the Sussex Brewery, seen on the OS Map of 1870 now appear to be allotment gardens. Needs a bit more investigating to discover what the reservoirs were for. I can’t find any reference to the Sussex Brewery.

The original Railway Refreshment Inn opposite the Station, was up until 2015 the Winchester Register Office at No.6 Station Hill. Image: Christopher Tipping
Roger Brown’s Model of Winchester circa 1873. Copyright: City of Winchester Museum.

Above: A bit blurry…but nonetheless the Station and Public House are clearly shown. A narrow footpath leads to Sussex House just beyond the Station in this image. A lovely circular garden feature can also be seen just left of the Station forecourt behind a fence. I wonder if this was a public or private space?

Roger Brown’s Model of Winchester circa 1873. Copyright: City of Winchester Museum.

Above; At centre is the Carfax Hotel building on Station Hill and Sussex Street. This important crossroads, (or Carfax), shows a complex junction of City Road, Swan Lane, Station Hill, Andover Road and Sussex Street. Looking rather genteel – and not the complicated crossing for pedestrians we experience today.

Station Hill, Winchester. 1914 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Station Hill, Winchester. 1930 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Station Hill, Winchester. 1939 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.

By 1970, the Carfax Hotel, first named in 1918, had fallen into disrepair during the 1960’s. It had been taken over by the King Alfred Teacher Training College as student accommodation. However, it was demolished in 1972 as part of a road improvement scheme.

Station Hill, Winchester. 1970/71 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.

WINCHESTER STATION APPROACH – PART 5 – PATTERNS IN PAVING ?

A short post on patterns of paving, used externally in the City streets. These images are a simple & straightforward record of paving and materials used in highway engineering and the public realm in Winchester. What I am interested in is the variation and the happenstance, which occurs between pattern, materials and textures. The ordinary and mundane, boring ?…no ! Some richness and patterns emerge, often as a result of repair & regeneration. Interesting to note changes at thresholds and edges. Old and new side by side. They are perhaps not the most exciting of images – but for those of you who look down to see & care about what you are walking on – you too may also see something that inspires you, as I have been inspired.

Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station Approach project. Station Hill. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Outside Winchester Museum. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. High Street. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in the streets of Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe

…and finally – all roads lead to the Cathedral.

Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe

WINCHESTER STATION APPROACH – PART 3 – Lessons from history

WINCHESTER CATHEDRAL

Winchester Cathedral Great West Window and Lierne Vaulted nave. Image: Christopher Tipping

Have you ever thought what is up there, caught between the vaulted ceiling and the external roof? It was this hidden void in the attic, described as ‘a forest‘ , which so disastrously burned at Notre Dame in April this year. On Wednesday 19th June this year I ventured up the Tower of Winchester Cathedral to reach the same space. I have really wanted to venture into this cavernous space – between the 14th & 15th Century vaulted nave we see in the image above and the original massive timbered roof for years. This complex structure is what pilgrims and locals would have seen & looked up into prior to the nave being constructed. It is the most amazing floating world – a dark void – a medieval secret.

Massive Oak timbers in the roof void of Winchester Cathedral Image: Christopher Tipping
Massive Oak timbers in the roof void of Winchester Cathedral Image: Christopher Tipping

Above: This is the timber walkway inside the void space, which sits atop the massive oak beams which cross the nave . The walkway disappears into the bell tower and Norman part of the Cathedral. Images do not do this space justice! This is the longest Medieval Cathedral nave in Europe. The Lierne Vaulted ceiling of the nave lies just below the cross beam timbers.

Massive Oak timbers in the roof void of Winchester Cathedral Image: Christopher Tipping
Human touches in the roof void of Winchester Cathedral. There is a story to this image, but I have forgotten it ! Image: Christopher Tipping
Human touches – centuries of scratched graffiti decorate the stone window tracery in the roof void of Winchester Cathedral. Image: Christopher Tipping
Human touches – centuries of scratched graffiti decorate the stone window tracery in the roof void of Winchester Cathedral. Image: Christopher Tipping
It got in but didn’t get out. Racing Pigeon in the roof void of Winchester Cathedral. Image: Christopher Tipping
Massive Oak timbers in the roof void of Winchester Cathedral Image: Christopher Tipping
The bell ringing chamber of Winchester Cathedral Image: Christopher Tipping
Details in the bell ringing chamber of Winchester Cathedral Image: Christopher Tipping
Details in the bell ringing chamber of Winchester Cathedral Image: Christopher Tipping

‘The cathedral possesses the only diatonic ring of fourteen church bells in the world. The back twelve were all cast by John Taylor & Co in 1937. They were augmented to fourteen when two new bells were added in 1992 by the Whitechapel Bell Foundry. ‘One bell was cast by Anthony Bond, an itinerant Founder in 1621.’ Wikipedia Ref

Up in the Bell Tower of Winchester Cathedral Image: Christopher Tipping
Up in the Bell Tower of Winchester Cathedral Image: Christopher Tipping
Up in the Bell Tower of Winchester Cathedral Image: Christopher Tipping
Up in the Bell Tower of Winchester Cathedral Image: Christopher Tipping

Above: This image shows Norman stone carving high up in the Bell Tower. Quite amazing to get so close to it. The stonemason’s tool marks so fresh still.

Interesting patches and and repairs to the lead sheeting up on the roof of Winchester Cathedral Image: Christopher Tipping
Up on the roof – the views are pretty spectacular. Winchester Cathedral Image: Christopher Tipping

WINCHESTER STATION APPROACH – PART 2 – June 2019

These sketches and studies below are part of a series of early drafts and drawings, which were completed in June this year. They were derived from contextual research and concept design development for the generation of the interpretive public art elements at Winchester Station. Several versions of this initial research have been submitted for discussion and comment.

Draft concept visuals for Winchester Station Approaches. Images: Christopher Tipping
Draft concept visuals for Winchester Station Approaches. Images: Christopher Tipping
Plan view of the Station approaches. Image: Christopher Tipping

These early drafts considered an ‘all-over’ repeating pattern for natural sandstone paving, influenced by the Cathedral’s extant 13th Century medieval inlaid ceramic floor tiles – and used here as a super-graphic motif. At this time I was not responding to any masterplan proposals from the client’s Architects and Urban Planners LDS – as these had not yet been circulated for discussion. The ideas were formulated in response to my own research in the city and now form the foundations of my project approach.

Concept drafts for repeat pattern paving influenced by the Cathedral Medieval Tiled floors. Image: Christopher Tipping
Concept drafts for repeat pattern paving influenced by the Cathedral Medieval Tiled floors & built environment. Image: Christopher Tipping
A page from my research document June 12th 2019. Image: Christopher Tipping

The building stones of Winchester are hugely influential when looking at the interpretation of place and the significance of the Station as a gateway to the City. Although granite has been used here, local sandstones and limestones with flint and brick dominate.

The low lying architectural scale and presentation of the Station buildings, warrant a softer frame with regard to paving. Sandstone fits this bill. Granite being perhaps too corporate and ubiquitous for this site.

A page from my research document June 12th 2019. Image: Christopher Tipping









A page from my research document June 12th 2019. Image: Christopher Tipping









A page from my research document June 12th 2019. Image: Christopher Tipping
A page from my research document June 12th 2019. Image: Christopher Tipping
A page from my research document June 12th 2019. Image: Christopher Tipping
A page from my research document June 12th 2019. Image: Christopher Tipping

The City has a strong tradition of procession and pilgrimage, which reinforces notions of way finding and direction, arrival and departure, as well as the physical experience of walking and the materials you are walking upon.

WINCHESTER STATION APPROACH – PART 1 – EARLY DAYS

Early beginnings…outlines…some thoughts and notes –

Medieval Tiles Pavement in Winchester Cathedral. Image: Christopher Tipping
Medieval Inlaid Tile Pavement in Winchester Cathedral. Image: Christopher Tipping

Actually, this short concept development project was commissioned in May 2019 by Winchester City Council . The brief called for creative & contextual research with which to frame a ‘concept-led’ draft scope for the inclusion of public art & interpretation within the Winchester Station Approaches project. The client’s Architectural & Urban Planning consultants LDS Architects have developed a Masterplan Framework & Public Realm for the Station Approach site, which has since been made public & my work may eventually be embedded into this scheme or influence the final detailed design for the public realm.

As a creative research-led project I have set out to celebrate the City of Winchester’s rich cultural history by examining its use of specific materials, decoration & craft skills within its architectural legacy and built landscape, with a particular emphasis on Winchester Cathedral, one of the largest Cathedrals in Europe.

The Station is the Gateway to the City, once the Anglo Saxon capital under Alfred the Great. As a Gateway the Station and its surrounding external environment should be above all else welcoming. The public realm is required to deliver this. It can also give visual expression, via its landscape, materials and detail to what may be discovered by visitors moving beyond the Station. The Cathedral, for example cannot be seen when arriving by train, when, by contrast the Cathedrals of both Bath and Durham present their magnificent architecture from afar.

This is still early days in research and concept development. No doubt this project will shape-shift considerably along the way.

Winchester Station booking hall. Image: Christopher Tipping
Arriving into the booking hall at Winchester Station. Image: Christopher Tipping
Winchester Station. Image: Christopher Tipping
Winchester Station. Image: Christopher Tipping
The view down Station Hill from outside the Station. Image: Christopher Tipping
The view down Station Hill from outside the Station. Image: Christopher Tipping

People come from around the world to visit Winchester.

5 million arrivals and departures recorded in 2018 –

What should this Gateway communicate about Winchester?

The Cathedral ?

The Cathedral was founded in 1079 – it is an astonishing 940 years old  & we can still walk around it in the footsteps of countless others. The whole building was completed in the form we see & experience today in the 16th Century. The spectacular Nave in Perpendicular Gothic with Lierne Vaulting was completed in the 14th & 15th Centuries. The carved oak Quire Stalls were created between 1306 and 1309. We know who carved them & we know who repaired them.  

The magnificent Lierne Vaulting in the Cathedral was constructed between the 14th & 15th Centuries. Image: Christopher Tipping
Magnificent Lierne Vaulting in the Cathedral was constructed between the 14th & 15th Centuries. Image: Christopher Tipping

‘In the Christian Medieval world, this ‘arrival’ was rewarded through the sheer brilliance & breath-taking fusion of art & architecture as seen in the form of the Cathedral. This building was clearly at the heart of Winchester and England. It was the house of God and widely interpreted as the gate of Heaven, a world-renowned centre of pilgrimage, education & religious life’.

CONCEPT: to explore some the materials that built Winchester and, in doing so, reinforce their importance and role in communicating the cultural significance of the city. Rare & bespoke materials and craft can reflect this. These materials connect us to the past, the present & the future. 

  1. Manufacturing and contemporary methods – crafts fused with the latest technology.
  2. Reflect the ingenuity and importance of the craftsmen & master masons of the age of Cathedrals. Illuminated Manuscript Illustrators and Master Masons were itinerant specialists – often travelling continually between great building projects.  
  3. I am also influenced by the on-going work to maintain and secure historical structures. Cathedral Masons repair and replace stonework. Over time, this must lead to substantial renewal. This concept of gradual change and renewal is of great interest.

STATION FORECOURT

For Example: Solid or monolithic blocks used as primary public art sculptural artwork benches within the current forecourt plan submitted by LDS Architects – with secondary barrier benches in another repeating style.

OPTIONS: creative thinking out loud ! Materials could include…

OAK – inspired by the massive oak timbers in the cathedral roof & bell tower and the brilliance of the carving in the Quire Stalls.

Massive Oak beams inside the roof of Winchester Cathedral. Image: Christopher Tipping
Huge Oak beams support the roof of the Cathedral. Image: Christopher Tipping
Carved Falconer detail from the Quire in Winchester Cathedral. Image: Dr John Crook
Carved Falconer detail from the Quire in Winchester Cathedral. Image: Dr John Crook

TOURNAI MARBLE – The beautiful 12th Century font – see below – sculpted from a single massive block of blue black carboniferous limestone, known as “Tournai marble“, was quarried from the banks of the River Scheldt’ & brought from Tournai in modern day Belgium. These were extremely rare and highly prized medieval luxury items. The natural stone is 135 million years old.

The 12th Century Font is made from a single block of black Tournai Marble from Belgium. Image: Christopher Tipping
The 12th Century Font is made from a single block of black Tournai Marble from Belgium. Image: Christopher Tipping

Bench Three: SWEDISH MARBLE – see below – this was considered an exotic imports from the Baltic states & illustrates the connectedness of Winchester to other places through trade and pilgrimage.  This ledger stone is for Francisca Clobery, the daughter of Sir John Clobery. She died in 1683 and her grave is in the south aisle of the Retrochoir, in front of her father’s monument. Sir John was a 17th Century Merchant with connections to Europe.

Alfred the Great twice went on pilgrimage to Rome, the first time as a young boy in 853AD. I can’t but wonder if he had seen the Pantheon & the astonishing interiors of marble clad walls and polished patterned floors?

The memorial stone for of the daughter of Sir John Clobery in Winchester Cathedral is made from imported Swedish Marble. Image: Christopher Tipping
The memorial stone for of the daughter of Sir John Clobery is made from imported Swedish Marble. Image: Christopher Tipping

GLASS – The huge medieval stained glass West Window was smashed by Cromwell’s forces in 1642, but the fragmented remnants were gathered together and the window eventually restored maintaining the fragmented style.

The great West Window of Winchester Cathedral. Image: Christopher Tipping
The great West Window of Winchester Cathedral. Image: Christopher Tipping

CAST IRONGUN METAL – Jewell & Son, City Foundry, between Middle and Lower Brook Street in Winchester was owned by the Jewell family and made components for the GWR Railways Winchester to Newbury Line. It was one of several iron foundries in the city. The coming of the railway and the ensuing Victorian Industrial Revolution brought massive change and population growth to the city. On each of the bells of the Cathedral it is recorded that it was ‘Recast by John Taylor and Co., Loughborough, 1937’. John

One of the peal of Bells in Winchester Cathedral recast in 1937 by John Taylor & Co. Loughborough. Image: Christopher Tipping
One of the peal of Bells in Winchester Cathedral recast in 1937 by John Taylor & Co. Loughborough. Image: Christopher Tipping

TERRAZZO – a fusion of fragmented materials with the

ARCHITECTURAL CERAMIC – Much of Winchester is built of brick and tile, with clay locally sourced and manufactured & fired often close to the site. The Cathedral has an extant 13th Century pavement of inlaid ceramic including many beautifully reproduced in the 1960’s.

GRANITE – Granite is not a historic building material in Winchester, nonetheless it does appear in various forms within the city centre. however, For example, the plinth for for the statue of Alfred on the Broadway (1901) is made of granite. Brought by rail from Penryn in Cornwall , at the time they were the largest blocks of granite ever moved – and processioned by steam tractor through the streets of Winchester – at the height of the second Industrial Revolution and Victorian pomp.

FLINT – a quintessential Winchester material.

SANDSTONE

LIMESTONE

These materials could be treated in the following ways:

Materials could be cut, laminated and re-cut to present a geological and decorative expression – using the latest manufacturing technology. Surfaces can be inlaid, laser etched, sandblasted or textured to provide variety and narrative. Objects can be cast, moulded or carved.

Lines & intersections within the general forecourt paving scheme suggest way-finding & direction but are also resonant of the magnificent Cathedral Lierne Vaulting, a high point in Gothic Architecture & engineering skill – the crossing and interweaving of stone vaulting providing the myriad crossing points and junctions for decorated bosses.  Within the Station forecourt and approaches, these paving lines will intersect, at which point more focussed detail could be embedded in the form of robust but beautifully finished granite or cast iron units. These lines extend outwards from the Station Forecourt up Station Road and down Station Hill. I would propose to extend interventions and interpretive artwork in this direction to encourage the preferred pedestrian routes.

Pattern & Decoration seen throughout Winchester and fused into an astonishingly beautiful form in the Cathedral reflects the local & natural world of flora and fauna, alongside the non-secular world of Christianity and faith. I am inspired by the brilliance of illustrated manuscripts, such as the Winchester Bible & Botanical Manuscripts held in the Cathedral Library and Archive. Fragmented details of these motifs could be used to animate the forecourt and Gateway, but also to give clues to visitors and locals alike as to what may be found within the City.

Secondary Barrier features nearest to the highway could all be in the same material – granite or sandstone. Reinforced concrete base structure could be stone clad or be used as an immoveable base / foundation.

The fusing of architectural styles, which in turn create a legible & experiential timeline over hundreds of years in the Cathedral is an on-going inspiration.

Intersections

Meetings

Crossroads

Carfax

Quadrifurcus

Conduited Water flowing under the City

Streams and Rivers and Water Meadows – Mill Ponds

Quietly Communicate this concept – Beauty, architectural and cultural heritage, technology, creativity found in the City of Winchester using a palette of resonant and contextually intriguing materials, textures and narrative (tell good stories!) –

I am also researching the following:

Sussex Brewery & Reservoirs on the Carfax Site –

Local business and inhabitants of Station Hill, Station Road and Gresham Street –

Durngate Mill – A 700 years old Water Mill demolished in 1966 with massive oak timbers and cast iron machinery made locally –

Winchester City Mill

Craft Guild processions held on Corpus Christi by the Catholic Church – 

P.C. Jewell, City Iron Foundry, Winchester –

William Walker – Deep Water Diver & Cathedral Saviour

Site specific and local details can reflect smaller influences – the lives and livelihoods of local people and what they did etc. It is important to acknowledge the whole community its diversity.

I am creating options for paving, seating, edges, retaining structures and kerbs – this keeps sightlines clear and reduces clutter in the landscape.

‘Purbeck marble was extensively used for grave markers and grave stones (ledger stones). Later, large black ledger stones of Tournai marble were very much in fashion. Of particular interest is the ledger stone of Francisca Cloberij (sic), the daughter of Sir John Clobery. She died in 1683 and her grave is in the south aisle of the Retrochoir, in front of her father’s monument. It is of a distinctive Ordovician limestone (around 465 million years ago) from the Island of Öland, Sweden, containing the straight-shelled Nautiloid, Orthoceras’. It is something of an anomaly, but intriguing nonetheless.

I have made several visits to Winchester to consult with specialists, with particular relevance to the Cathedral. I have walked the streets, and routes into the City and experienced the crossing points and have undertaken my own creative site analysis. I have ongoing research threads with the City and with a number of specialist materials suppliers and manufacturers. I have consulted with the Hampshire Archive Services and the Winchester City Trust.

I have meetings arranged with the Cathedral Archivist and Librarian and also with the Cathedral Stonemasons. If possible, I would like to collaborate with the Stone Mason in the production of one of the benches.