A simple monolithic granite bench was also commissioned for Rogallo Place by Optivo Homes. A beautiful honed finish is sandblasted with the name of the building alongside detailed motifs reflecting the glazing vinyls of the building’s interior.
The bench was manufactured and supplied in collaboration withHardscape,as ever, great to work with.
The image above was taken during production at Hardscape’s Facility at Long Marston, near Stratford Upon Avon.
Rogallo Place has now completed on site with all artworks successfully in place. Many thanks to Francis Knightfor the usual brilliant arts management and collaboration, and to Optivo Homesfor the opportunity.
A big thanks also to my specialist manufacturers & collaborators, VGL & Hardscape for their invaluable contribution.
As with most of my projects I rely on creative collaboration and engagement with specialist suppliers and manufacturers. VGL are one of the best I have worked with. Their digital printing facilities are excellent, but it their outstanding collaborative skills which enable me to create work like this. The following images are from a factory visit in July 2018 to review sample production and the creation and sign off of the digital production files.
Some brilliant new images of my project for the new Macmillan Unit at Tameside & Glossop Integrated Care NHS Foundation Trust have come to light. It is always refreshing to see how others see your work & the space it was created for. In this instance I was very kindly given permission by Mike Hearle, European Digital Marketing Manager for Construction Specialties– to use images from their website. Construction Specialities supplied and installed the solid timber handrails running through the unit. Take a look …the artwork was digitally printed and installed by VGL. The project was delivered by IBI Group Architects and Willis Newson, the UK’s leading arts and health consultancy.
Draft artwork awaiting approval to go into production – we are working with our client team to review / comment and approve in the next few days so we can meet our install schedule.
At this stage I set all the imagery against a black background – which actually indicates glazing with no printing – just clear glass.
This work will be digitally printed onto optically clear vinyl. The process allows for a layer of colour, followed by a layer of white and finally another layer of colour. The artwork can be read equally from both viewing sides – inside or outside the building. The production level artwork files, sampling and final digital printing and installation is done by my long-time collaborators, Vinyl Graphics Ltd.
Various degrees of opacity and transparency are designed into the artwork. As a rule this is worked out via single colour files – in this case magenta – which clearly indicate degrees of opacity.
This new development of 64 Extra Care Apartments at Orchard Park, recently delivered in April this year by The Riverside Group is called ‘Harrison Park’, 100 years after Jack Harrison VC a former Hull FC Rugby League Star was killed at Oppy Wood, Arras, France in 1917 during the First World War.
Today – the 3rd May 2017 marks the day all four Hull Pals Battalions took part on the attack on Oppy Wood.
Tom worked alongside Occupational Therapists Helen Keay (Senior OT) and Holly Williams, in collaborating with patients, to undertake a series of workshops centred around drawing and mark making. I was subsequently provided with access to these drawings as inspiration for the artwork, using where possible, drawing motifs, textures and colours which formed part of the outcome from the creative sessions.
The project site is created within the internal circulation space of the Ward, centred around a small external courtyard. Artwork will be digitally printed onto optically clear vinyl and applied to the glazing, which provides views into the courtyard. The artwork has been commissioned to be applied on three sides of the courtyard glazing taking in the Circulation Corridor, Lounge and Multi-Faith Room, animating the space, introducing colour and detail and to visually engage patients and staff.
Each element used in the design starts as an ink sketch or line drawing. These are often drawn over-sized and larger than they will appear in the artwork to scale. The individual images are then scanned and saved as high res. jpegs allowing me to import into Photoshop.
The following drafts were approved and signed off by the client team to develop into detailed design for production.
In the above draft artwork the optically clear vinyl, with no print colour is shown as black. This would appear as fully transparent glazing. The artwork presents various colour & opacity values, utilising print white techniques to great effect. VGLhave been excellent and creative collaborators on this project.
Below is a draft production file from VGL which shows – in tones of pink – the strength of opaque and translucent white which is printed in-between the colour layers.
The trick with all these proposals is to get the right proportion of printed cover, clear glazing and translucency. All very well on paper – but once installed, there are views beyond the glazing to consider too. The movement of traffic, activity of people and the ever changing weather. These all impact considerably on how the installed artwork can be read and appreciated, both from at distance and from up close.
Full scale printed samples are the next item on the list.