Each element used in the design starts as an ink sketch or line drawing. These are often drawn over-sized and larger than they will appear in the artwork to scale. The individual images are then scanned and saved as high res. jpegs allowing me to import into Photoshop.
The following drafts were approved and signed off by the client team to develop into detailed design for production.
In the above draft artwork the optically clear vinyl, with no print colour is shown as black. This would appear as fully transparent glazing. The artwork presents various colour & opacity values, utilising print white techniques to great effect. VGLhave been excellent and creative collaborators on this project.
Below is a draft production file from VGL which shows – in tones of pink – the strength of opaque and translucent white which is printed in-between the colour layers.
The trick with all these proposals is to get the right proportion of printed cover, clear glazing and translucency. All very well on paper – but once installed, there are views beyond the glazing to consider too. The movement of traffic, activity of people and the ever changing weather. These all impact considerably on how the installed artwork can be read and appreciated, both from at distance and from up close.
Full scale printed samples are the next item on the list.