The Chemotherapy Treatment Room. During my last visit to site on 13th March 2017 – I was really interested to see how the creative concept for the project had been applied in the Chemotherapy Treatment Room – a state of the art, 6 chair Chemotherapy Suite.
The artwork was to be applied to the adjustable privacy screens adjacent to each chair. The work forms a continuous landscape, divided into 6 sections, which will be continually re-arranged to present new combinations as the screens are used throughout the day.
These screens were manufactured and installed by Kwickscreen.
I made my last visit to site on 13th March 2017 – to see the artworks fully installed. The interiors throughout the new unit are all completed, fully furnished and operational and the first clinics were to be held the very next day. Tameside Macmillan Unit Willis Newson
Simon Stevens, Chief Executive of NHS England was supposed to be doing the honours today at the Official Opening of the Jubilee Building, but for unforeseen reasons he couldn’t come !
His place was taken by the local MP Jeremy Browne, who was able to stand in at very short notice. I am sure that everyone was disappointed not to have the head honcho in attendance. Everyone has worked incredibly hard on the project, from the Trusts’s Capital Projects team, BDP Architects and BAM to medical and ancillary staff. However, it was a lovely day all round and the weather was perfect for showing off the building.
This was the first time that I had seen both my projects – ‘70 years on…”& ‘Murmuration’ fully installed. I couldn’t have asked for a better day to see them. The Art for Life team, led by Lisa Harty have done an amazing job in co-ordinating and presenting the work. I am very grateful to them.
’70 years on…’ CENTRAL CONCOURSE SCREEN FOR THE JUBILEE BUILDING, MUSGROVE PARK HOSPITAL
I recently came across the work of the photographer, John Seaman, who had been commissioned by the main contractor for the Jubilee Building BAM to make a photographic record. Very lucky for me, that he has a great eye for catching the spirit & intent of the tensile artwork and its relationship to the building and interior space. ’70 years on…’ was a collaboration with Architen Landrell & VGL Vinyl Graphics & was commissioned by Musgrove Park Hospital Capital Projects Office & Art for Life
The Central Concourse Screen ’70 years on…’ was created to celebrate the delivery of the Jubilee Surgical Building & the 70th Anniversary of Musgrove Park Hospital. The project was Heritage Lottery funded.
The work is presented as a digitally printed tensile fabric screen made of 26 individually printed panels. It is supported by a bespoke lightweight aluminium & stainless steel double-sided ladder frame 21m x 1.8m, which is itself hung from 3 steel supporting columns of the Central Concourse building. The design & manufacture of the tensile screen and its method of digital printing balance well with the content of the work & its evocation of the past to present a contemporary artwork in a 21st Century Hospital.
The artwork is presented as a landscape, which, other than at each end, where curved steel panels protect the structure, the artwork can be viewed as a continual narrative sequence. However, this is not a timeline or a linear narrative, which has to be viewed in a particular way or from a particular viewpoint. The observer can simply roll up at any point along its 42m length and begin a journey or their own.
Text was employed in the design as both an aid to the visual narrative & to emphasize the importance of the hospital’s archive collection in this 70th Anniversary year. It also recalls individual and collective voices from the last 70 years. The work done by Louise Donovan, an archivist working with staff and patients past and present to recall their experiences working here has been included in “Sensing our Past”. 70 years of Musgrove Park Hospital’, published in 2012
Words have been used to draw with, or to conjure up the dynamic energy of the hospital. It is presented in a variety of ways, for example, following the line of the Galmington Stream, which runs along the boundary of the Hospital, or as a gestural expression, such as the whirlwind vortex drawing, or a simple circle of fine white text.
They are an eclectic and often mis-matched set of words, evocative of half remembered memories, anecdotes and stories, (as opposed to reproducing hard facts and figures within a fixed timeline). There are perhaps more ‘distant’ voices from early in the life of the hospital, particularly from it’s wartime experience, but I feel this is the way with memory – recall is distant and suggestive of the ‘good old days’.
Some elements within the artwork are obviously and easily recognizable, such as the iconic Eisenhower Tree & Galmington Stream, whilst others are abstract and elusive. A great number of the references are archival in origin, such as the colours, which were influenced by boxes of medical artifacts, some in the original packaging.
Bunches of flowers appear from between the seam joints, which evoke the Lily of the Valley presented to HM The Queen Mother or flowers given by visitors, which were held in vases attached to columns in the Nightingale wards.
The photographic archive too, which contains hundreds of images of staff at work and celebrating events such as Christmas & retirements, as well as visits by Royalty, or the American World Heavyweight Boxer, Joe Louis and the entertainer Bob Hope, who both visited the Hospital during World War II.
My own personal experience of being a part of this Hospital community since 2005, when I was appointed Lead Artist on the 10 year Hospital development programme is also evident in magery influenced by past projects undertaken here.