Tag Archives: Drawing

Almost done – the last few boards

By the way, I chose the worst day of the week to make a site visit to Barton Grange in Lancashire to check on progress – rained all day – the one poor day out of a glorious week of fine weather. Images not as good as they could be.

Notwithstanding that, the progress by Aztec Industrial Roofing Ltd has been brilliant and the main contractors, Truman Design and Build are now focussing on the interiors which are a hive of activity.

Externally, the rainscreen boards are almost all in place – with many exhibiting various stages of weathering, which starts with the exposed routed board being a bright yellow tone and gradually darkening to a rich tan / copper colour.

The Cutting Room in Huntingdon have now almost completed cutting the last of the boards and these will be shipped to site during the next week or so.

Main Entrance Elevation in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

Installation of cnc routed rainscreen facade in progress at The Flower Bowl. Image: Christopher Tipping

 

 

A different view …

Some brilliant new images of my project for the new Macmillan Unit at Tameside & Glossop Integrated Care NHS Foundation Trust  have come to light. It is always refreshing to see how others see your work & the space it was created for. In this instance I was very kindly given permission by Mike Hearle, European Digital Marketing Manager for Construction Specialties – to use images from their website. Construction Specialities supplied and installed the solid timber handrails running through the unit.  Take a look …the artwork was digitally printed and installed by VGL. The project was delivered by IBI Group Architects and Willis Newson, the UK’s leading arts and health consultancy.

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

Tameside Hospital New Macmillan Unit. Artwork by Christopher Tipping. Image by kind permission of Construction Specialities

The Flower Bowl – getting there…

I have been incredibly lucky to collaborate once again with Mark Durey at The Cutting Room in Huntingdon. I worked with Mark on the cnc cut facade for the new Heart of the Campus Building at Sheffield Hallam University Collegiate Campus. I am indebted to him for bringing these projects to life in way I could not deliver on my own. My colleague Sarah Alldritt also deserves a big thanks for her work translating my original artwork into ai vectors. Mark imports these digital files and re-builds the artwork through an Alphacam CAD CAM software programme to create the work. That may seem a straightforward digital process created by clever software …let me tell you that it is not. The translation from my artwork to end product is anything but straightforward in this instance. Mark is the key here. He has a clear understanding of how the programmes work – but – more importantly he is prepared to go ‘off-road’ and put his experience to task, problem solving and bringing an entirely bespoke service into play to produce the outcomes you see. I am lucky to have him as a collaborator.

Mark has an individual methodology at play whilst creating the cutting files. He adds colour to enable him to plan the work and – indirectly, I find these images inspiring and creative in themselves. Probably annoyingly I am always asking for screenshots of particular details.

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

Manufacturing drawings for The Flower Bowl cnc routed elevations. Image: Mark Durey

The latest image by the client Guy Topping – the left hand elevation for The Flower Bowl Main Entrance – but how did we get to this point?

Main Entrance Elevation in progress at The Flower Bowl. Image: Guy Topping

 

 

 

 

Chatham Placemaking Project – PROPOSALS

I haven’t updated this post for some time – actually since April 2017!  Head down and just getting on with it …time flies. OK – I’ll now try to sum up what’s happened in the interim.

Following on from the initial research period, consultation & creative engagement phases of the project, a series of Creative Public Realm proposals were submitted for review. This work originated and was inspired by the positive & creative collaboration with our supporting artists in residence, Rob Young – Writer, Simon Williams – Filmmaker and Xtina Lamb – Printmaker.   These collaborations proved to be highly creative as well as bringing a refreshing camaraderie and friendship to the work.

The proposals are presented here in the order in which the various sites are encountered along the route from Chatham Station down Railway Street to Military Road and the Waterfront. This is a visual account of how ideas developed and adopted into the scheme.

Chatham Station, although at the head of our scheme, will be the last Phase to be delivered on the ground & I will report on this work later in a separate post.

The sites where our work and interventions has been focussed are:

 

NEW CUT & NEW ROAD VIADUCT

ST JOHN’S SQUARE

LOWER RAILWAY STREET

MILITARY SQUARE 

MILITARY ROAD

Chatham Placemaking Project. Route & Plan of Creative Public Realm. Image: Christopher Tipping

 

The Red Line indicates our project route & is titled the ‘Chatham Line’, after the Chatham Lines, the nearby defensive fortifications.  The lines follow the historic granite kerb line & will be replaced in relevant sections by bespoke wide

granite kerbs and special transition granite units often with sandblasted or inset granite text. Text is based upon the surrounding local historic legacy & community engagement work & narrative developed by our writer in residence, Rob Young.

AREA 2 – NEW CUT 

New Cut – Plan of Creative Public Realm. Image: Christopher Tipping

New Cut – Sketches & Draft Plan of Creative Public Realm. Image: Christopher Tipping

New Cut – Sketches & draft plan of bespoke granite kerb units. Creative Public Realm. Image: Christopher Tipping

New Cut – Sketches & draft plan of bespoke granite kerb units. Creative Public Realm. Image: Christopher Tipping

New Cut – Sketches & draft plan of bespoke granite & timber seating. Creative Public Realm. Image: Christopher Tipping

New Cut – Sketches & draft plan of bespoke granite kerb units. Creative Public Realm. Image: Christopher Tipping

New Cut – New Road Viaduct – Draft proposals for bespoke enamel panels below the balustrade, welcoming you to Chatham. Image: Christopher Tipping

 

As with most projects, not all ideas and proposals succeed.Budget limitations, critical rigour and often the subjective nature of the collaborative creative process all bring issues to bear in deciding what is destined to be built on site and what is left in the studio !

 

New Cut – New Road Viaduct – Draft proposals for bespoke enamel panels below the balustrade, welcoming you to Chatham. Image: Christopher Tipping

New Cut & New Road Viaduct – Draft proposals for bespoke lighting scheme welcoming you to Chatham. Image: Christopher Tipping

New Cut & New Road Viaduct – Draft proposals for bespoke enamel panels under the bridge, welcoming you to Chatham. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

The approach to the materiality and scale of St John’s Square & elsewhere along our route, was influenced by the architectural & industrial heritage of the Historic Chatham Dockyard.

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

 

This monolithic detail seen above was titled ‘The Submarine’, inspired by HMS OCELOT on display at Chatham Historic Dockyard . This sculptural form was to act as a dividing feature separating two flights of steps at different levels.

I didn’t make it through the final evaluation process…

HMS OCELOT, Chatham Historic Dockyard. Image: Christopher Tipping

HMS OCELOT, Chatham Historic Dockyard. Image: Christopher Tipping

St John’s Square – Draft proposals for bespoke landscape interventions. Image: Christopher Tipping & Hardscape

St John’s Square – Draft proposals for bespoke yellow enamel cast iron bollards & landscape interventions. Image: Christopher Tipping

St John’s Square – Research Image of Ropery Artefacts. Draft proposals for bespoke yellow enamel cast iron bollards & landscape interventions. Image: Christopher Tipping

LOWER RAILWAY STREET & MILITARY SQUARE

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Military Square is a major pedestrian intersection in Chatham, at the crossroads between Railway Street, Military Road and the High Street.

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Lower Railway Street & Military Square. Draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Military Square draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Military Square draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Military Square draft proposals for bespoke landscape interventions. Image: Christopher Tipping

Military Square draft proposals for bespoke landscape interventions. Image: Christopher Tipping

 

THE CIRCLE IN THE SQUARE 

Military Square draft proposals for bespoke landscape interventions. Image: Christopher Tipping

 

 

Rochester Riverside

I have been recently commissioned by Francis Knight Arts Consultancy, Countryside Properties (UK) Ltd and The Hyde Group, to make work for Phases 1 & 2 of the Rochester Riverside Development

I am working on this exciting architectural collaboration with the wider project team and more directly with BPTW Architects & Francis Knight.

I have completed a research and development phase and presented the outcome to the client team along with proposals for engaging with the site via artwork in cast iron and granite, embedded into footpaths to houses and threshold strips to apartment blocks. The draft presentation can be seen here: 180215 TIPPING RR PROPOSALS SM

My research has focussed primarily on the rich industrial heritage & legacy of the Rochester Riverside site. Much of this information was found within the archives and collections of Medway Archives and Local Studies Centre at Strood.

I have also consulted with other notable local agencies and organisations, such as Rochester Cathedral Library, the Guildhall Museum and John K Austin, a local Artist, writer and historian.

 

The Flower Bowl

In July 2017 I was commissioned by Guy Topping, Managing Director of the multi award winning Barton Grange Garden Centre in Brock, Preston to design artwork to wrap around the external elevation rain screen of a new mixed use Leisure Centre he was developing to be called The Flower Bowl.  I was initially contacted by Jenni Muston of Rockpanel whose exterior cladding boards were specified for the work. Jenni put me in touch with Guy. I had previously collaborated with Jenni and project Architects HLM, on a project for Sheffield Hallam University Collegiate Campus. The new ‘HEART OF THE CAMPUS’ building was completed in 2015. As an award winning Garden Centre, the client was obviously keen to promote its long association with plants, trees and especially with flowers. The artwork is a celebration of flowers, inspired not so much by botanical accuracy, rather the abstract illustrative, super graphic nature of flowers at large scale, exploding like fireworks in celebration across the elevations of the building. The local landscape and textile heritage of Preston also contributed to research and concept development carried out at the Harris Museum. 

Christopher Tipping. Section 7 Elevation during installation. The Flower Bowl 2018. Image: Guy Topping

Christopher Tipping. Section 7 Elevation during installation. The Flower Bowl 2018. Image: Guy Topping

Christopher Tipping. Section 7 Elevation during installation. The Flower Bowl 2018. Image: Guy Topping

Christopher Tipping. Section 7 Elevation during installation. The Flower Bowl 2018. Image: Guy Topping

Christopher Tipping. Section 7 Elevation during installation. The Flower Bowl 2018. Image: Aztec Industrial Roofing Ltd.

The artwork was developed for production & manufacture in partnership with The Cutting Room in Huntingdon, with whom I collaborated on the Sheffield Hallam project. I am indebted to them for their commitment to the project. The boards are being installed on site by Aztec Industrial Roofing Ltd under the project main contractor Truman Design & Build. The installation & handling of the artwork boards on site has been & continues to be excellent. The project Architectural Consultants are WAJW 

A draft artist visual for The Flower Bowl by WAJW Architects showing indicative elevations and green roof with grazing sheep. Image: WAJW

Cranked corner, Sections 5 to 6 during installation. The Flower Bowl under construction. Image: Aztec Industrial Roofing Ltd.

Cranked corner, Sections 5 to 6 during installation. The Flower Bowl under construction. Image: Aztec Industrial Roofing Ltd.

Draft artwork in production. The Flower Bowl. Image: Christopher Tipping

Draft artwork in production. The Flower Bowl. Image: Christopher Tipping

Draft artwork and flower iconography in development. The Flower Bowl. Image: Christopher Tipping

Draft artwork and Chrysanthemum flower iconography in development. The Flower Bowl. Image: Christopher Tipping

Draft artwork and Water Lily flower iconography in development. The Flower Bowl. Image: Christopher Tipping

Draft artwork and Iris flower iconography in development. The Flower Bowl. Image: Christopher Tipping

 

Christopher Tipping. Section 2 Elevation during installation by Aztec. The Flower Bowl 2018. Image: Aztec Industrial Roofing Ltd.

Christopher Tipping. Section 2 Elevation during installation. The Flower Bowl 2018. Image: Christopher Tipping

Christopher Tipping. Section 2 Elevation during installation. The Flower Bowl 2017. Image: Christopher Tipping

Christopher Tipping. Section 2 Elevation during installation. The Flower Bowl 2017. Image: Christopher Tipping

When the Rockpanel Board is first cnc cut and installed, the exposed colour is yellow, which fairly quickly weathers to a darker & richer colour.

Christopher Tipping. Section 2 Elevation. Boards awaiting installation. The Flower Bowl 2017. Image: Christopher Tipping

Section 2 Elevation during installation. The Flower Bowl 2017. Image: Christopher Tipping

Section 2 Elevation during installation. The Flower Bowl 2017. Image: Guy Topping

Section 2 Elevation during installation. The Flower Bowl 2017. Image: Guy Topping

Section 2 Elevation during installation. The Flower Bowl 2017. Image: Guy Topping

Agapanthus – Barton Grange Garden Centre – Research. Image: Christopher Tipping

Barton Grange Garden Centre – Research. Image: Christopher Tipping

Flower research at Barton Grange for The Flower Bowl. Image: Christopher Tipping

The Flower Bowl under construction. Image: Guy Topping

The Flower Bowl under construction. Image: Guy Topping

The Flower Bowl, September 2017. Image: Christopher Tipping

The Flower Bowl, October 2017. Image: Christopher Tipping

The Flower Bowl, adjacent Canal – October 2017. Image: Christopher Tipping

The Flower Bowl, adjacent to the Lancaster Canal – September 2017. Image: Christopher Tipping

The Canal Basin here is managed by the Barton Grange Garden Centre.

Barton Grange & The Flower Bowl is well positioned on the A6 Preston to Lancaster road, the M6, the London to Glasgow high speed mainline and the Lancaster Canal. Image: Christopher Tipping

Front of house under construction. Section 6 – The Flower Bowl October 2017. Image: Christopher Tipping

Building under construction. Section 6 – The Flower Bowl October 2017. Image: Christopher Tipping

 

Littlemore Mental Health Centre – Detailed Design

Thursday 4th May 2017 – 

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft artwork awaiting approval to go into production – we are working with our client team to review / comment and approve in the next few days so we can meet our install schedule.

 

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

At this stage I set all the imagery against a black background – which actually indicates glazing with no printing – just clear glass.

This work will be digitally printed onto optically clear vinyl. The process allows for a layer of colour, followed by a layer of white and finally another layer of colour. The artwork can be read equally from both viewing sides – inside or outside the building. The production level artwork files, sampling and final digital printing and installation is done by my long-time collaborators, Vinyl Graphics Ltd.

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Various degrees of opacity and transparency are designed into the artwork. As a rule this is worked out via single colour files – in this case magenta – which clearly indicate degrees of opacity.

Draft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Magenta Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Draft Artwork: Littlemore Mental Health Centre. Artist: Christopher Tipping

Jack Harrison VC – Harrison Park, Hull

Wednesday 3rd May 2017 

This new development of 64 Extra Care Apartments at Orchard Park, recently delivered in April this year by The Riverside Group is called ‘Harrison Park’, 100 years after Jack Harrison VC  a former Hull FC Rugby League Star was killed at Oppy Wood,  Arras, France in 1917 during the First World War.

Today – the 3rd May 2017 marks the day all four Hull Pals Battalions took part on the attack on Oppy Wood.

This event & others relating to WW1 are remembered on the 14-18-NOW WW! CENTENARY ART COMMISSIONS website.

A Pinterest Board of research images about Orchard Park and its history, can be found here. 

Hull is currently celebrating City of Culture 2017 statusso there is much to do and see there ! –

Detail: Glazing Vinyl installation Harrison Park, Hall Rd, Hull Extra Care. Artist: Christopher Tipping

Detail: Glazing Vinyl installation Harrison Park, Hall Rd, Hull Extra Care. Artist: Christopher Tipping

Littlemore Mental Health Centre, Oxford

Project Update – 20th April 2017 

Mental Health Services at Littlemore Mental Health Centre, are directed and managed by Oxford Health NHS Foundation Trust .

This arts in health project was commissioned for Wenric Ward , which provides Low Secure Adult Services  – by Tom Cox of Artscape and the Staff of Wenric Ward.

Information about the history of the earlier Littlemore Hospital in Oxford can be accessed via this link to the Oxfordshire Health Archives  and to the accompanying site about County Asylums 

Tom worked alongside Occupational Therapists Helen Keay (Senior OT) and Holly Williams, in collaborating with patients, to undertake a series of workshops centred around drawing and mark making. I was subsequently provided with access to these drawings as inspiration for the artwork, using where possible, drawing motifs, textures and colours which formed part of the outcome from the creative sessions.

The project site is created within the internal circulation space of the Ward, centred around a small external courtyard. Artwork will be digitally printed onto optically clear vinyl and applied to the glazing, which provides views into the courtyard. The artwork has been commissioned to be applied on three sides of the courtyard glazing taking in the Circulation Corridor, Lounge and Multi-Faith Room, animating the space, introducing colour and detail and to visually engage patients and staff.

 

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Draft Artwork for Wenric Ward, Littlemore Mental Health Unit, Oxford. Artist: Christopher Tipping

Harrison Park, Hall Road, Hull – Part 1

Harrison Park, Hall Road, Hull

An Extra Care Facility by Riverside

Click on this link HARRISON PARK, HALL ROAD CREATIVE CONTEXTUAL DOCUMENT to view the research based contextual concept draft for the project – 

The Glazing Vinyl Artworks are presented as a series of abstract & figurative elements based upon a number of historic land maps, including the 1816 plan of Cottingham Common showing historic field patterns, each of which is annotated with the names of the individual landowner and /or tenant farmer.

The Inclosure Act of 1766 transformed this ill-drained common meadow and pasture, which was subject to seasonal flooding from the tidal River Hull, into a landscape of sluices, dykes, drains and ditches, the names of which, will be familiar to many of you now.

Concept development drawing for Harrison Park, Extra Care Facility, Hull. Image: National Library of Scotland OS Map of 1911 with Artist drawing overlaid. Artist: Christopher Tipping

The 1886 hand drawn map of Coldharbour Farm, on North Carr Lane -now Orchard Park Road, in the collection of the Hull History Centre, shows the individual fields held by the tenant farmer, which were farmed until the new estate was built in 1963. This new building on Hall Road, part of the Orchard Park Estate, sits within the original boundary of the farm.

Concept development drawing for Harrison Park, Extra Care Facility, Hull. Image: Field Patterns & Textures. Artist: Christopher Tipping

It is this historic landscape and community which provides a ‘frame’ of support and a visual reference for the artworks, reflecting the fact that there has been a continuous system of land & water management and farming, in turn supporting a community on this site since medieval times.

The artwork builds a bridge to the past and also acts as a threshold between the external and internal landscapes of the building. The outlines of plants, suggest those which may have grown in the waterways and fields of the area – Flowering Rush, Floating Pondweed,

Dyers Greenweed, Birds Foot Trefoil, Marsh Marigold, Cowslip, Common Daisy and Stinking Cranesbill. The Field Pattern geometry works as a scaffold device to hold these detailed drawings together, with its suggestion of green fields, ponds, clouds and textures.

The whole artwork is kept rigidly in place via the deep architectural window frames, which impose a vertical and horizontal symmetry to the view.

Concept development drawing for Harrison Park, Extra Care Facility, Hull. Image: Field Patterns & Textures. Artist: Christopher Tipping

The use of areas of clear, transparent glazing is very much a part of the intention of the work, allowing views both from and into the building, whilst further animating and providing a backdrop of external colour and texture to illuminate and make visible, the cut-out detailing of the artwork.

The Field Pattern is further used to inspire and give form to a wall-hung cabinet, to be known as the Field Cabinet, which can be used as an ordinary bookshelf as well as a cabinet of curiosity containing references to the history and locality of the new building.

End