Tag Archives: Art

Pan troglodytes, Pongo pygmaeus, and Gorilla gorilla

 

Pan troglodytes, Pongo pygmaeus and Gorilla gorilla 

 

Chimpanzees at the beach Rescue Centre & Cafe, Ramsgate Main Sands. Animal Thanet 2019. Image: Christopher Tipping

 

Chimpanzees at the beach Rescue Centre & Cafe, Ramsgate Main Sands. Animal Thanet 2019. Image: Christopher Tipping

 

Chimpanzees at the beach Rescue Centre & Cafe, Ramsgate Main Sands. Animal Thanet 2019. Image: Christopher Tipping

 

Chimpanzees at the beach Rescue Centre & Cafe, Ramsgate Main Sands. Animal Thanet 2019. Image: Christopher Tipping

 

Orangutan, George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Orangutan, George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Chimpanzees on George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Chimpanzees on George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Silverback Gorilla on George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Silverback Gorilla on George Street, Ramsgate. Animal Thanet 2019. Image: Christopher Tipping

 

Robert White Centre – Radiotherapy Unit

Drafts and sketches for the digitally printed glazing vinyl artwork for the ground floor Radiotherapy Unit of the Robert White Cancer Centre are now in progress in the studio. At this stage, the drafts are for comment and discussion and the final design work will be tailored in response to this process.

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Inspired by Jurassic plant fossils, such as Cycads, Tree Ferns, Magnolias, Monkey Puzzle and Gingko, the ideas are developing by way of a distinct colour palette and abstract pattern-making too, as well as looking to incorporate and blend in with the glazing artworks of the Outpatient Unit on the first floor, which were completed late in December 2018. Although the two floors deliver independent services via Poole Hospital and Dorset County Hospitals, it is important that from the outside particularly, the artwork links the two floors and presents a united front elevation to all those visiting & working on this site. The Jurassic Coast and the Abbotsbury Sub-Tropical Gardens, have both been influential. The coastal geology has been a particular fascination, with stones and fossils being very much the theme of the first floor Outpatients department.

 

Site images and plans for the ground floor Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork Sketchbook for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork Sketchbook for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

Draft Artwork for the Radiotherapy Unit of the Robert White Cancer Centre, Dorchester. Artwork & Image: Christopher Tipping

 

 

 

Royal College of Art – Terrazzo Floor

‘Celebrating Pattern in London’s Architecture’.

‘Frieze collaborates with Tate Britain, the National Gallery, RCA, Sketch Gallery and ICA on the 2017 marketing campaign. From contemporary concepts to Renaissance painting, we have worked with important cultural institutions to create the campaigns for Frieze London and Frieze Masters 2017. Showcasing striking design and beautiful floors around London. Photography by Luke Hayes with Art Direction by Amy Preston’. Frieze London 2017.

Royal College of Art, Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

I was delighted to see my work featured in the Frieze London 2017 Marketing Campaign. My in-situ polychrome terrazzo and cut marble floor was quietly celebrating it’s 30th Anniversary in 2017, since it was commissioned by the RCA for the main entrance and reception of the new Darwin Building in 1987. The work was manufactured and installed by Diespeker & Co. I worked closely throughout in collaboration with Diespeker’s and the RCA. As stated – I was surprised and delighted to see it featured again in this way.

I recently made contact with the Photographer Luke Hayes to enquire about any other images he may have of the work, which didn’t make the original campaign. He has generously allowed me access to these images, which I reproduce here with his kind permission. I have very few images myself – and no digital images – and appear to have very little by way of documentation. I graduated from the RCA in 1985 and I think I was commissioned whilst I was still a post-grad student in Ceramics. This makes some sense, as the design for the floor was very much an extension of the work I was doing in ceramics, which was focussed on Architectural form and decoration. I was pretty amazed to see it was still in such good condition. Terrazzo is an amazing material and I have used it-  rather sporadically I admit – throughout my career and had the pleasure of working alongside some amazing craftspeople at Diespeker’s and Pallam Precast,  now part of Quality Marble.

 

Royal College of Art 1987. Darwin Building. Jay Mews Entrance. Terrazzo Floor. Artist: Christopher Tipping. Image: Unknown

 

Above: From what I can recall, this  (poor quality) image was taken just after the final grinding & completion of the floor by Diespeker’s. It hadn’t been cleaned or polished and was very dusty – just like me in the image.

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017 (Cropped Image 2019)

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017 (Cropped Image 2019)

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Royal College of Art, London. Detail: Terrazzo & Marble floor installed 1987. Artist: Christopher Tipping. Image: Luke Hayes 2017

 

Between 1985 / 87 during the delivery of this project, I had no access to digital processes or computers – although they had recently started to appear at the RCA. The original artwork was hand drawn and painted in gouache. Templates for the timber formwork were first drawn up full scale and processed in the RCA’s timber workshops on Jay Mews. I suppose what it did, was reinforce the hand made and craft process associated with the manufacture of the work. I do remember sanding off the tip of one of my fingers in the workshop. I had so little money in those post student days, that I also recall walking all the way from Terrazzo manufacturer Diespeker’s old premises at Diespeker Wharf Wharf, Islington, back to my old studio at Loughborough Junction on Coldharbour Lane, South London, carrying a pile of terrazzo samples.

 

Below: Really interesting to work briefly with Luke’s images to re-imagine some new designs for the same floor. Digital processes we have instantly available in minutes today would have taken me days to produce similar painted patterns in 1987.

 

RCA Re-imagined artwork for terrazzo & marble floor 2019 from original image by Photographer: Luke Hayes 2017

 

RCA Re-imagined artwork for terrazzo & marble floor 2019 from original image by Photographer: Luke Hayes 2017

 

RCA Re-imagined artwork for terrazzo & marble floor 2019 from original image by Photographer: Luke Hayes 2017

 

RCA Re-imagined artwork for terrazzo & marble floor 2019 from original image by Photographer: Luke Hayes 2017

 

RCA Re-imagined artwork for terrazzo & marble floor 2019 from original image by Photographer: Luke Hayes 2017

 

 

 

 

 

The Dell – Southampton FC & Matt Le Tissier’s Right Foot

The Dell, Southampton 2004. Central Courtyard works on site. Matt Le Tissier stud-printed relief cast concrete retaining wall. Design & Image: Christopher Tipping

 

In 2001, was commissioned by Elizabeth Smith, the Public Arts Officer for Southampton City Council to collaborate with the project client Barratt Homes, to create an interpretive landscape artwork for the central courtyard of the former Dell Football ground. The Dell was demolished in 2001 by Hughes and Salvidge. I was able to visit the ground to document the site just before this process began and just after the last game had been played.

The Club moved from the Dell in 2001 to the brand new St Mary’s Stadium. 

 

“a lovely dell with a gurgling stream and lofty aspens” Philip Brannon 1850

 

“On 19 May 2001, midfielder Matt Le Tissier, (who retired from playing a year later) said goodbye to the stadium that had been host to his entire professional career by scoring a volley in the final minutes of the final league game securing a 3–2 win against. Le Tissier has the distinction of scoring the last competitive goal at The Dell. On 26 May, the club’s fans said goodbye to the Dell by stripping all of its seats, the pitch and even an advertising board after Southampton’s last game at the stadium, a 1-0 victory in a friendly against Brighton & Hove Albion, the first and last opponents at the stadium. The last goal ever scored at the Dell was by Uwe Rosler”. Wikipedia

“The final league goal witnessed by the Dell was Le Tissier’s 89th-minute winner against Arsenal, a fitting tribute from the forward to his home for 16 years and to the fans who could not imagine life without him. Club fortunes fluctuate, players come and go but Le Tissier has infected those who have witnessed his feats on the south coast and their worshipping will go on long after his boots are finally hung up”. The Guardian 21st May 2001

The Dell, Southampton 2004. Central Courtyard works on site. Design: Christopher Tipping. Images: Joe Low

 

The Dell, Southampton 2004. Central Courtyard works on site. Design: Christopher Tipping. Images: Joe Low

 

The Dell, Southampton 2004. External view of the site with Marketing Suite. Central Courtyard artworks on site. Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke cast red & white terrazzo benches by Pallam Precast arrive on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2001. Maps & Concept Drawings. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Maps & Concept Drawings. Designs & Image: Christopher Tipping

 

‘The site on which the ground was built was described in Philip Brannon’s Picture of Southampton, published in 1850, as “a lovely dell with a gurgling stream and lofty aspens”. The stream is the Rollsbrook which flows out of Southampton Common, running parallel to Hill Lane before disappearing under Commercial Road and Southampton Central Station, from where it is conduited under Southampton Docks into Southampton Water.

The land had been purchased in the 1880s by the Didcot, Newbury and Southampton Railway to enable them to continue their line from Winchester via Twyford, Chandlers Ford, a tunnel at Chilworth and Shirley where it was to pass to the North East of what is nowSt James’ Park, Southampton and St James’ Church. From here the line would have travelled south across Hill Lane to run through the dell and onto an embankment leading to a viaduct over Commercial Road and the London and South Western Railway line before terminating on the Western Esplanade North of the Royal Pier.

The dell was stripped of vegetation and the stream channelled into a conduit with work started on the embankment, which survives behind property to the North of Commercial Road but was never used, and the viaduct which was part built but later demolished.’  Wikipedia

 

I wanted to recreate this idea of ‘a lovely dell with a gurgling stream and trees’, as well as represent something important about the history of football and of Southampton FC on this site. It appeared that the centre circle of the pitch was exactly where the stream had originally passed through and was now culverted underground. The radius of the centre circle on a football pitch is 9.15m. My design reflects this. The centre spot is in exactly the same space it would have been on any match day. 11 trees are planted around the circumference to reflect the squad of 11 who would have played each game. The raw cast concrete retaining walls, steps and planting beds retain something of the look and feel of the original football terraces. Several bespoke cast terrazzo benches with white aggregate in a red cement matrix face into the centre. These reflect the club colours.

The most notable detail is the textured low-relief elevation exposed around the centre circle. This is the stud print of Matt Le Tissier’s right football boot – or so I was led to believe. We contacted the club during this project and this was the boot I was sent. I so want to believe it. I wore the boot to  make the original mould, by running over a bed of clay. I still have it. The idea was to recreate and remember the raw play and boots on muddy ground which embodies the spirit of play.

I approached Patterns & Moulds Ltd, a fantastic company, I have since worked with on several projects. Established in 1967, Patterns & Moulds remains the largest independent and privately owned mould maker in the UK.

 

Matt Le Tissier’s right football boot. The Dell, Southampton 2004. Development of cast concrete relief moulds. Design & Image: Christopher Tipping

 

Matt Le Tissier’s right football boot. The Dell, Southampton 2004. Development of cast concrete relief moulds. Design & Image: Christopher Tipping

 

Matt Le Tissier’s right football boot. The Dell, Southampton 2004. Development of cast concrete relief moulds. Design & Image: Christopher Tipping

 

Matt Le Tissier’s right football boot. The Dell, Southampton 2004. Development of cast concrete relief moulds. Design & Image: Christopher Tipping

 

The Dell, Southampton 2001. Maps & Concept Drawings. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Concept Drawings. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Concept Drawings. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Concept Drawings. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Plan Drawings for setting out. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2003. Final Draft Artwork. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2003. Final Draft Artwork & Planting Scheme. Designs & Image: Christopher Tipping

 

The Dell, Southampton 2001. Just prior to demolition works starting. Image: Christopher Tipping

 

The Dell, Southampton 2001. Dusty footprints & concrete terraces. Just prior to demolition works starting. Image: Christopher Tipping

 

The Dell, Southampton 2001. Concrete terrace number 5. Who would have stood here on match day?Just prior to demolition works starting. Image: Christopher Tipping

 

The Dell, Southampton 2001. Just prior to demolition works starting. Image: Christopher Tipping

 

The Dell, Southampton 2001. Just prior to demolition works starting. Image: Christopher Tipping

 

Turf had been stripped off the pitch by fans eager to take a piece of footballing history home with them.

 

The Dell, Southampton 2001. Just prior to demolition works starting. Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

Sunburn

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

Above: All the concrete works were delivered in-situ, with timber formwork constructed on site. The concrete retaining structures and curving walls created a series of interlinked paths and terraces, which were then backfilled with soil or compacted gravels to create the finished terrace levels. The Matt Le Tissier stud-print concrete feature relief-wall was also cast in-situ on site with bespoke rubber moulds and timber formwork. The raw, unfinished concrete surfaces emulated the original hard terrace construction at the Dell Football ground.

Matt Le Tissier’s right football boot. The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

Above: Elizabeth Smith, Public Arts Officer, Southampton City Council 1998 – 2011, talking with the Project Site Manager.

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2001. Concept Drawings. Section through terraces and stream. Designs & Image: Christopher Tipping

 

Above & Below: The Rollsbrook Stream was re-imagined as a shallow rill flowing through the courtyard.

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. First of 11 trees in place. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Ground lighting being installed. Design & Image: Christopher Tipping

 

The Dell, Southampton. Groundsman preparation of the pitch was a thing of beauty & skill. Image: SFC Date Unknown.

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Bright green turf being laid. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke in-situ cast concrete. Design & Image: Christopher Tipping

 

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke cast terrazzo benches by Pallam Precast arrive on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke cast terrazzo benches by Pallam Precast arrive on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke cast red & white terrazzo benches by Pallam Precast arrive on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Bespoke cast red & white terrazzo benches by Pallam Precast are installed on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

The Dell, Southampton 2004. Central Courtyard works on site. Design & Image: Christopher Tipping

 

Installed !

They are finally in place! The architectural glazed screens have now been installed in the Hydrotherapy Pool room at the new RNHRD & Therapies Centre at the RUH in Bath.

 

Detail of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

On Tuesday 19th March 2019, the screens were carefully installed by SEH Commercial. The East Screen was installed in the morning and the North Screen in the afternoon. Proto Glass Studios delivered the 18 sealed units – a total of 42 sqm of decorated glass –  in two runs from their premises in Pewsey, Wiltshire. I couldn’t be there, which was a real disappointment, but the process was documented by a number of people on site. I am showing their images here.

There is still a fair amount of work to be done in finishing the new buildings, both inside & out, so for now and the foreseeable future at least, the glass will be covered by boards & protected. These are the last images we will see before the building is officially opened.

This project has been a great journey to make in collaboration with a wonderful project team. Hetty Dupays, director of Art at the Heart of the RUH who commissioned the work has been a most supportive project manager. Also a big thanks to Gina Sargeant, Head of Therapies & Clinical Site, whose direct and pragmatic approach was balanced by her humour. I could not have delivered this artwork without the input and advocacy of both these brilliant people. A massive thanks to all staff and patients from both the RUH and RHNRD (The Min), IBI Group Architects & Main Contractor Kier who collaborated throughout, and who offered their support and experience.

 

Detail of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail: External elevation of the North Screen from the Courtyard Garden. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

External elevation of the North Screen from the Courtyard Garden. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail of the topmost panels of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail of the topmost panels of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail of the lower panels of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail of the topmost panels of the East Glazing Screen, seen from behind the interior scaffolding. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail: External elevation of the North Screen from the Courtyard Garden. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail: External elevation of the North Screen from the Courtyard Garden. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Hetty Dupays standing in front of the East Screen. Hydrotherapy Pool, RUH. Image: Gina Sargeant

 

Hetty Dupays standing in front of the East Screen. Hydrotherapy Pool, RUH. Image: Gina Sargeant

 

The external wall elevations and frames are still in progress, as are the interiors and the Screens will be padded out and boarded up from today, to protect them during the remaining works on site.

 

SEH Commercial & Kier were responsible for the installation of the Screens. Stepladder & install team in front of the East Screen. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

External elevations of the East Screen. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail: External elevation of the East Screen. Hydrotherapy Pool, RUH. Image: Hetty Dupays

 

Detail: External elevation of the East Screen. Hydrotherapy Pool, RUH. Image: Hetty Dupays

Heart of the Campus, Sheffield University Collegiate Campus

Just over four years ago we completed the project at Sheffield Hallam Collegiate Campus.

Although I took a fair number of images at the time of the glazing manifestations, which were applied to the East elevation glazed curtain walls, I focussed on the interior images only.

I had no decent images of the external elevations with the artwork completed.

I recently got in touch with the Photographer Lisa Daniels, who made some wonderful images of the building having been commissioned to record the external landscapes by the project architects HLM.

She has let me have access to this great image.

 

East Elevation Glazing Vinyl Artwork. Sheffield Hallam University, Collegiate Campus. Artist: Christopher Tipping. Image: Lisa Daniels Photography

Salisbury District Hospital 2006

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern

I am always trying to play catch-up with projects I completed prior to having any online platforms. Here we are, almost 13 years since its completion and installation and I have finally managed to track down a great set of images, which were commissioned by Tarkett Flooring (actually it was Tarkett Marley back in 2006). The images were originally commissioned by PR Firm Mainspring from photographer Ian Blantern of Blantern & Davis Photography.

Ian Blantern retrieved the images from his archive, for which I am really grateful.

Salisbury District Hospital 2006. Images Screenshot. Artist Christopher Tipping. Image: Ian Blantern

In 2004 I was commissioned by Peter Ursem, a former director of the Artcare Team at Salisbury District Hospital to collaborate with project team Architects, Chapman Taylor and Contractor Gleeson. The brief was to create bespoke flooring installations throughout the four levels of the new building, combined with creating interior colour schemes to assist in wayfinding and identity. I collaborated closely with Tarkett Marley Floors throughout the design and manufacturing period on sonic cutting and installation methods.

Salisbury District Hospital Phase Two 2006 Chapman Taylor Architects. Project Artist Christopher Tipping. Image: Ian Blantern

“The planned move of services from the older southern end of the Salisbury District Hospital site to a new modern purpose built facility took place in May 2006. The new building which was designed using the views of local people and staff houses the regional burns service, elderly care and orthopaedic wards. It also has an outpatient department with plastic surgery, maxillo facial outpatients, laser treatment centre and therapy services. This was the largest development seen on this site since Phase One of the hospital was built in1993 and means that these services now have natural links with the acute and diagnostic services in the newer part of the hospital. The new burns accommodation is situated on level four and has its own dedicated operating theatre. It is located near the Intensive Therapy Unit so that it can access critical care support for people with serious burn injuries. Orthopaedics has its own purpose built accommodation and this is located on level four of the new building close to main theatres. Plastic surgery and maxillo facial outpatients has its own department on level three, so that it links in with general outpatient and diagnostic services on the same level in the existing hospital. Medical and elderly wards are situated on level two, with two elderly care wards taking the vacated ward areas in the existing hospital that are next to the Nunton Unit, which provides physiotherapy. In designing the new building, the aim was to maximise natural daylight and ensure that patients in ward areas can enjoy excellent views across the Wiltshire countryside”. Salisbury NHS Foundation Trust

 

The designs were inspired by abstract forms in the Wiltshire landscape – ephemeral and or suggested elements as seen from the Hospital. This included ancient and historic man-made stone circles at Avebury and Sarum, crop circles, dew ponds, Fovant Badges, plough lines and field patterns. I also looked at Downton lace making, the architecture and decoration of Salisbury Cathedral and the flora and fauna of a chalk and limestone landscape. Engagement with staff and patients was also undertaken. The installations were made at major node points such as nurses stations, waiting areas, key vistas and in the window seating areas of the 4-bed bays. The patterns break up the generous expanses of floor, providing an element of surprise and distraction for patients and visitors alike. All floors share a limited catalogue of motifs, but these are expressed via individual and distinct colour palettes on each level. Levels 1 & 2 share an set of earth and terracotta tones representing chalk marls and ploughed fields. Level 3 uses shades of green reminiscent of summer and farmland and woods, whilst on Level 4, blues and lilac colours reflect shifting skyscapes.

 

Salisbury District Hospital 2006. Material & colour-ways sample boards. Artist Christopher Tipping.

 

What am I proposing?          

Looking at Wiltshire: A patchwork of pattern, texture and light

Designs inspired by man-made forms in the landscape –

Earthworks: Avebury – Old Sarum – Silbury Hill

Crop Circles

Dew Ponds

Chalk Drawings: Wiltshire Horses and Fovant Badges

Ploughing patterns

Field patterns

Designs inspired by local history, industry and architecture –

Downton Lace

Salisbury Cathedral

Medieval Ceramic Tiles

Romano British Mosaics

Celtic Patterns

Designs inspired by the unseen & ephemeral in the landscape –

The geology of Wiltshire

Fossils of the Chalk Downland of Wiltshire

Associated Flora and Fauna: Horseshoe Vetch and Adonis Blue

Fleeting expressions of light in shadow play

 

Salisbury District Hospital 2006, Level 4 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding – inspection during installation. Artist Christopher Tipping.

 

 

Salisbury District Hospital 2006, Level 3 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Level 3 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Level 3 colour way-finding – inspection during installation. Artist Christopher Tipping.

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006. Material & colour-ways sample boxes in progress at Clockwork Studios. Artist Christopher Tipping.

 

Research images taken at Salisbury District Hospital. Image: Christopher Tipping

 

Research images taken at Salisbury Cathedral 2004. Image: Christopher Tipping

 

Salisbury District Hospital 2006. Material & colour-ways sample box for Levels 1 & 2 in progress at Clockwork Studios. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Material & colour-ways sample box for Level 4 Burns Unit in progress at Clockwork Studios. Artist Christopher Tipping.

 

Research images taken at Salisbury Cathedral 2004. Image: Christopher Tipping

 

Salisbury District Hospital 2006, Level 4 colour way-finding – inspection & cleaning underway during installation. Artist Christopher Tipping.

 

Salisbury District Hospital 2006, Level 4 colour way-finding – inspection & cleaning during installation. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Production Drawings of bespoke motifs by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Production Drawings of bespoke motifs by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Waste Materials from manufacturing at Tarkett Marley factory, Lenham, Kent. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Production Drawings of bespoke motifs by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006, Level 4 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Sample Panel by Tarkett Marley. Artist Christopher Tipping.

 

 

 

Salisbury District Hospital 2006, Level 4 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Level 3 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Level 4 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

Salisbury District Hospital 2006. Typical Production Plan Drawing of bespoke motifs & sites for Levels 1 & 2 by Tarkett Marley. Artist Christopher Tipping.

Salisbury District Hospital 2006. Detail: Typical Production Plan Drawing of bespoke motifs & sites for Levels 1 & 2 by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Typical Production Plan Drawing of bespoke motifs & sites for Level 4 by Tarkett Marley. Artist Christopher Tipping.

 

 

Salisbury District Hospital 2006. Typical Production Plan Drawing of bespoke motifs & sites for Level 3 by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006, Level 4 colour way-finding – inspection during installation. Artist Christopher Tipping.

 

2005, design stage consultation event. Artist Christopher Tipping.

 

2005, design stage consultation event. Artist Christopher Tipping.

 

Salisbury District Hospital 2006. Production Drawings of bespoke motifs for Levels 1 & 2 by Tarkett Marley. Artist Christopher Tipping.

 

Salisbury District Hospital 2006, Level 3 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006, Levels 1 & 2 colour way-finding. Artist Christopher Tipping. Image: Ian Blantern Photography

 

Salisbury District Hospital 2006. Material & colour-ways sample boxes in progress at Clockwork Studios. Artist Christopher Tipping.

Research images taken at Salisbury District Hospital. Image: Christopher Tipping

 

Research images taken at Salisbury District Hospital. Image: Christopher Tipping

 

Salisbury District Hospital 2006, Level 4 colour way-finding. Sample Panel by Tarkett Marley. Artist Christopher Tipping.

 

The Robert White Centre

 

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

I spent Monday & Tuesday of this week in Dorchester at the new £9million Robert White Centre, based at Dorchester County Hospital. This building was part funded via a legacy from Robert White a Poole based businessman, who was treated for cancer at the Dorset Cancer Centre at Poole Hospital. Robert died in 2015.

 

“Proceeds from the sale of this incredible collection will be used to build new cancer facilities at Poole and Dorset County hospitals, benefiting patients across the whole of the country.”

“Robert White was a great man and an enthusiast of all things mechanical. The sale is a showcase of his life’s passion, with more than 500 lots set to raise more than £2 million for charity,” said Malcolm Barber, Bonhams Co-Chairman. “The collection is the result of a life’s passion for photography – Robert was the founder of one of the UK’s leading photographic retailers – and his adoration for motorcycles. We’re delighted to be able to offer this for sale, and for such a great charitable cause.”

“The money raised from the Robert White Collection will help to fund essential improvements in cancer diagnosis and treatment in Dorset, including:

– New cancer treatment radiotherapy facilities at Dorset County Hospital to benefit patients in the west of the county, meaning shorter travel times
– New computerised tomography (CT) scanner for Poole Hospital, accurately identifying cancer site to enable targeted treatment
– Permanent positron emission tomography (PET) scanner at Poole Hospital – a sophisticated imaging technique widely used for cancer, providing highly detailed imagery showing tumours and its response to treatment.
– Education and training bursaries to enable staff working in cancer care and associated medical and diagnostic specialties to remain at the cutting edge of best practice”.

Bonhams 2016

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

I was there to begin some engagement with staff and patients in the ground floor Radiotherapy Unit, which is a satellite of the Dorset Cancer Centre at Poole Hospital.

I was very kindly shown around by Amanda Sydenham, Macmillan Prescribing and Review Radiographer/Treatment floor Superintendent, and introduced to other staff members.  We were accompanied by Nikki Mitchenere, Deputy General Manager – Oncology Legacy Fund at the Dorset Cancer Centre, who has commissioned me for this work.

I am now starting to work up some draft ideas and proposals. These will be circulated throughout the unit so we can get feedback from everyone. The important thing is that we do this in a collaborative and engaged manner.

 

Obviously, whilst there I took a quick look upstairs to see how the artwork in Outpatients was being received by everyone. I was re-assured after talking to a couple of staff members there, that this seems to be a great success. The artworks for Radiotherapy, will build upon this established colour base and iconography, adding in some new motifs and objects. It is important that the work on both floors appears to have a relationship, with elements interwoven between both floors.

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

A slightly blurred and abstract image taken from outside, of the first floor windows reflecting surrounding trees & a street light mixed up with the artwork. The weather was atrocious all day, with rain and high winds – not the best backdrop.

These digitally printed glazing artworks, commissioned by Arts in Hospital for the first floor Haematology Outpatients unit were installed in December 2018, just prior to the official opening of the Robert White Centre.

This unit is managed and operated by Dorset County Hospital.

 

We had a wonderful endorsement for the art project from Patricia Miller, Chief Executive of DCH.

‘I really love this. It creates such a pleasant therapeutic environment that also links to Dorset’s natural surroundings. Thank you for working so hard to create such a pleasant environment for our patients.’ 

 

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

Haematology Outpatients at the Robert White Centre, Dorset County Hospital. Image: Christopher Tipping.

 

Team Proto

Our work with David & Richard at Proto Studios in Pewsey, Wiltshire has now come to an end.

Sadly, this week saw our final visit to Proto Glass Studios to see the completed glazing sealed units before they leave to be installed in the new RNHRD and Therapies Centre at the Royal United Hospital in Bath. The new unit is being delivered by Kier Group with IBI Group Architects. This artwork production of 46sqm of beautifully decorated and finished, screen-printed, sandblasted & etched artwork manufactured by Proto Studios, which will enhance the architectural curtain wall glass screens for the new Hydrotherapy Pool within the Therapies Unit was commissioned by Art at the Heart. A massive thank you to David & Richard Proto and all the glass technicians at Proto Studios who had a highly skilled hand in delivering this work. It has been a really rewarding collaboration.

The panels are due to be installed in the next few weeks. Fingers crossed for a hassle free installation…watch this space!

 

Composite mirror image: Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Composite Mirror Image 7: Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Above: Safe in skilled hands…glass technicians carefully present each of the 18 double glazed sealed units for us to see.

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Composite mirror image 6: Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

Final review of all finished & sealed glazed units at Proto Studios. Image: Christopher Tipping

 

 

A beautifully crafted thing…

Chatham Placemaking Project – A beautifully crafted thing…

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping

 

Since starting the Chatham Placemaking Project, I am proud and pleased that much of the work we have done has been wonderfully crafted.

Words can be beautifully crafted to capture the essence of meaning, or a point in time, the spirit of a place. Materials too can be made to speak and assembled with care into something meaningful and poetic.

The writer, filmmaker, designer and poet with whom I have worked and collaborated on the project have all brought experience, originality, humour to the table, but above all they have brought an ability to assemble what they know & what they have created into a beautifully honed and finished thing – a sentence, a film, a poem, a pattern.  These people are highly skilled. Andrew Lapthorn, a craftsman and furniture maker working from the Historic Dockyard has produced perhaps one of the most beautiful objects created for the project. His laminated Elm radius curved seat – part of a collaboration with me to create 6 granite and timber street benches – has now been installed at New Cut, Chatham, one of two radius timber seats.

 

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping

Above: Granite & Timber street bench. Honed monolithic granite with stainless steel armrest by Hardscape.

Public spaces – especially those well trafficked, endure heavy duty wear and tear. These seats have been manufactured from robust and tough materials. This timber element was constructed from 45 layers of laminated mature English Elm, which was generously donated to the project by the Historic Chatham Dockyard from the equally historic Timber Seasoning Sheds. Each layer may have 2 of 3 individually sawn planks. It is a brilliant piece of work and very beautiful. It speaks loudly to me and is exemplary of the experience and love of making, which all the artists and creatives involved in the project have instilled in their work, often quietly and unseen. Andrew Lapthorn’s seat, encapsulates so much that has been done by us all in gathering our base material, spending time with it, mulling it over, discarding what doesn’t work, before finally committing to its final form.

 

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping

 

Andrew has documented his work over many months and has given us access to the archive of images. Some of them are astonishing. Again, worth repeating, that his process reflects all of our various processes in various forms, making various outcomes. It is all about craft, mixed with experience, originality and passion. I will be making a longer post about this work.

 

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping

 

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping

 

Granite & Laminated Radius Timber Street Seat. New Cut, Chatham. Image: Christopher Tipping