Tag Archives: Art

ROCHESTER RIVERSIDE – PUBLIC ART IN-SITU. PART 5

By mid-December 2019, a number of the bespoke public art units (5 of 24) had been finally installed into the footpaths and thresholds of new properties along sections of Common Creek Wharf and Thalia Way. These parts of the site were fully occupied during the weeks leading up to Christmas. I will update as more units are installed –

Granite Unit ‘GOLDEN SAMPHIRE’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘GOLDEN SAMPHIRE’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘GOLDEN SAMPHIRE’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘SHELDUCK’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘SHELDUCK’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘SHELDUCK’ in progress at Hardscape England prior to being installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. This was a really complex unit to achieve. Image: Hardscape England
Granite Unit ‘SHELDUCK’ in progress at Hardscape England prior to being installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. This was a really complex unit to achieve. Image: Hardscape England
Granite Unit ‘WILLIAM CORY & SON LTD’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘WILLIAM CORY & SON LTD’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘WILLIAM CORY & SON LTD’ in progress at Hardscape England prior to being installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Hardscape England
Granite Unit ‘WILLIAM CORY & SON LTD’ being laser etched during production at Hardscape England prior to being installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Hardscape England
Cast Iron Unit ‘5 CRANES DANCING’ installed at Rochester Riverside. Manufactured to my designs by Hargreaves Foundry. Image: Christopher Tipping
Cast Iron Unit ‘5 CRANES DANCING’ installed at Rochester Riverside. Manufactured to my designs by Hargreaves Foundry. Image: Christopher Tipping
Cast Iron Unit ‘5 CRANES DANCING’ installed at Rochester Riverside. Manufactured to my designs by Hargreaves Foundry. Image: Christopher Tipping
Granite Unit ‘WALRUS & NELLIE’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘WALRUS & NELLIE’ installed at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘WALRUS & NELLIE’ in prodution at Hardscape England prior to installation at Rochester Riverside. A variety of granites with water jet cut, inlaid, laser etched and sandblasted detail. Image: Christopher Tipping
Granite Unit ‘ADA & EDITH’ installed at Rochester Riverside. Image: Christopher Tipping
Granite Unit ‘ADA & EDITH’ installed at Rochester Riverside. Image: Christopher Tipping
Granite Unit ‘ADA & EDITH’ during manufacture at Hardscape England and now installed at Rochester Riverside. Image: Christopher Tipping

WINCHESTER STATION APPROACH – PART 10 – FINAL COMMENTS

This short creative contract to research and develop concept-led proposals for design interpretation and public art for Winchester Station Approaches has now completed.

Winchester Station and approaches 2019. Image: Christopher Tipping

This work was intended to inform discussion, dialogue and consultation with regard to the final form and feel for the public realm around Winchester Station. This form of placemaking based upon creative site analysis and creative research , which hopefully results in an original interpretation for the site, is essential to create a space fully responsive to its local environment and client & user aspirations.

Draft concept study for an interpretive public art & public realm to Winchester Station & Station Approaches. Image: Christopher Tipping Artwork superimposed onto LDS plan.
Draft concept study for an interpretive public art & public realm to Winchester Station & Station Approaches. Image: Christopher Tipping
Study with Key to concept & research led creative proposals for interpretation and public art with which to influence the design process for public realm at Winchester Station. Image: Christopher Tipping

Above: This draft study detail of the key to materials, finishes and 3D objects, is a concept only proposal and not intended as a final design. Its description of materials, forms and finishes is subject to further discussion and comment. with a future project team.

Draft concept study for an interpretive public art & public realm to Winchester Station & Station Approaches. Image: Christopher Tipping
Draft concept study for an interpretive public art & public realm to Winchester Station & Station Approaches. Image: Christopher Tipping
Concept & creative interpretation studies for form and shape of seating, public art & interpretation for Winchester Station & Approaches. Image & Artwork by Christopher Tipping

WINCHESTER STATION APPROACH – PART 9 – STONES AS YET UNTURNED & OTHER STREAMS OF INFLUENCE!

On 24th July I came to Winchester to meet Annabelle Boyes (Receiver General) and Catherine Hodgson (Marketing Manager) at Winchester Cathedral.

High Altar of Winchester Cathedral. Image: Christopher Tipping

I had requested a meeting as a matter of courtesy, having visited the Cathedral several times previously during my research work for the Winchester Station Approach Project. It was important I met with Annabelle as I wished to discuss the possibility of collaborating with the Cathedral and particularly with the Stonemasons. Not only that, but I wished to know more about the Cathedral’s role in the community – an enormously broad subject, but nonetheless, one that I considered vital to understand the nature of its calling. It was of real interest to me to hear Annabelle talk about the Cathedral as a living place serving not only its faithful and local congregation, but everyone and anyone. A living and breathing building, actively engaging with and remaining vital to a worldwide audience in the 21st Century.

Winchester Cathedral Calling and Vision Publication. Image: Winchester Cathedral.

One outstanding calling is about welcome. In the Cathedra’s Calling and Vision document , emphasis is placed on welcome, access to all, hospitality and pilgrimage. The Cathedral Close is a haven for visitors and locals alike. The Station is also a Gateway to Winchester, so the same ethos ought to be present here in the public realm too, with an emphasis on welcome, and civic hospitality. A place of arrival and departure, a place of safety, a gateway and a welcome.

Marketing Manager Catherine Hodgson, then took me on a walk around the Cathedral and its outbuildings, including a visit to the stonemasons yard. Should the project progress to design stage, then I will certainly be advocating for a cross discipline collaboration with the Cathedral.

Carved stone head support from a 17th Century Memorial. Winchester Cathedral. Image: Christopher Tipping
A page taken from ‘ILLUMINATION’, showing an images of the 7th Century Anglo Saxon Alter Base. Development update from Winchester Cathedral ISSUE 17 – April 2019. Image: Winchester Cathedral
The Forecourt of the British Library by Colin St John Wilson 1998. Image: Christopher Tipping

Above: The forecourt (piazza) of The British Library, St Pancras. Colin St John Wilson, 1998. The block seating at the crossing of the pavement grid, resemble the Cathedral’s stone carved or wooden bosses, which appear at the junctions of the stone ribs in the vaulted nave.

Timber carved roof bosses at the junctions of vaulted ribs in Winchester Cathedral. Image: Christopher Tipping
Sarsen Stone W17 N in Winchester on the corner of Minster Lane and St Thomas Street. Image: City of Winchester Website
Sarsen Stone W17 D, St John’s Church, St John’s Street, Winchester. Image: City of Winchester Website
Sarsen Stones in Winchester. Image: City of Winchester Website

Sarsen Stones in Winchester’, from the website of The City of Winchester – these sandstone blocks, sought after as ‘markers’, are an inspiration for block seating at Station Approach…see below…

Studies for stone aggregate Roof Boss Benches with laminated stone or terrazzo additions. Image: Christopher Tipping

A number of industries, which Winchester supported, including Watermills, Brewing and Iron Foundries depended upon an immediate and plentiful supply of water. Winchester’s waterways brought wealth to the Cathedral.

Amongst these industries, several stand out as examplers –

Winchester City Mill – one thousand years of history milling corn and the use of Millstones of Basaltic Stone.

Anatomy of a Millstone – General Reference. Image and Source: Wikipedia

Durngate Mill – demolished in 1966 after 700 years on the site.

City Engineering Works and Iron Foundry – Jewell Family of Middle and Lower Brook Street. Amongst other things the made components for the GWR Railways Winchester to Newbury Line. The family were also involved with Durngate Mill and the initials of Philip Charles Jewell appear on much cast iron work in the City.

Iron Founders and Engineers Dean & Smith

Walker & Co, Danemark Works –

Union Workhouse , Oram’s Arbour, Winchester –

Hyde Brewery , Hyde Street, Winchester –

The Waterways of Winchester-part2 – City of Winchester Trust News Spring 1995. Elizabeth Proudman’s first article was published in the Spring 1994 Newsletter. She continues her story. Image: City of Winchester Trust

Above: This section of text by Elizabeth Proudman begins the report into The Waterways of Winchester.

Drawing of the River Itchen as it courses through Winchester. Image: Christopher Tipping
Concept study of the River Itchen as it courses through Winchester against a backdrop of flint. Image: Christopher Tipping
Studies for stone aggregate (terrazzo) benches with inset River Itchen detail. Image: Christopher Tipping
Study for stone aggregate (terrazzo) bench with inset River Itchen detail & laminated contrasting stone end section. Image: Christopher Tipping
Concept study for architectural toughened glass & laminated bench with sandblasted and infilled River Itchen. Image: Christopher Tipping
Study for architectural toughened glass laminated bench with sandblasted and filled River Itchen detail & contrasting aggregate flint end section. Image: Christopher Tipping
Study for architectural toughened glass laminated bench – showing layers exploded – with sandblasted and filled River Itchen detail & contrasting aggregate flint end section. Image: Christopher Tipping
Studies for stone aggregate Bridge Benches with cantilever flint terrazzo addition. Image: Christopher Tipping
Studies for stone aggregate Bridge Benches with cantilever flint terrazzo or timber addition. Image: Christopher Tipping
Studies for stone aggregate column posts or perches with decorative motifs. Image: Christopher Tipping

ROBERT WHITE CANCER CENTRE – RADIOTHERAPY – PART 4 – INSTALLATION

Wednesday 13th November was the day for the installation of my project in the Radiotherapy Unit. Swift Signs, who printed the work were also installing and their team did a great job.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of Clinic Room W003 . These windows have an over-layer of frosted vinyl applied to the optically clear vinyl to add privacy to this sequence of Clinical Rooms along a corridor. These windows face out on to an external walkway and open space opposite the Hospital Canteen, so the need for privacy was an important issue. The vinyl is still translucent, which means natural light can pass through it.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Above: Detail of Clinic Room W003

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of Clinic Room W002

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of Clinic Room W005 – Tech Services

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of Clinic Room W005 – Tech Services

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of artworks in Clothed Waiting Room CW02 (Reception). The artwork in this space is made up of transparent colour printed onto optically clear vinyl, which means it is effectively ‘see through’. This was a required detail here to allow the external landscape and as much light as possible to enter the space.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Detail of artworks in Clothed Waiting Room CW02 (Reception). The vinyl has an adhesive coating, but is ‘floated’ into position on the glass with a light spray of water, allowing for final positioning. A rubber squeegee is then used to remove excess water and any air trapped between the vinyl and the glass.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs
Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: The External Lobby Entrance seen from outside at dusk, reveals the levels of transparency in the artwork. The impact is soft and subtle, allowing for clear views into the building. At nighttime, this effect becomes almost like stained glass.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs
Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs
Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

Above: Staff Meeting Room CW06. This room was overlooked by a raised footpath accessed by a flight of steps just outside the room, making privacy an issue. We kept the top set of windows free of artwork to maximise daylight and to bring the surrounding trees and landscape into the artwork as well.

Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs
Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs
Installation of Glazing Vinyl Artworks by Swift Signs at the Robert White Cancer Centre, Radiotherapy Unit. Image: Swift Signs

WINCHESTER STATION APPROACH – PART 8 – A CHANGE OF DIRECTION

At the beginning of August 2019 I was issued with a much simplified plan of the public realm proposals by LDS Architects.

August 2019 Public Realm Plan for Winchester Station Approaches. Image: LDS Architects (cropped & annotated).

Above: This image – a cropped version of the plan drawing issued by LDA, shows the principal public realm and station access roads. The previous concept proposal for the public art benches and interpretation following the radial plan as previously illustrated was no longer viable, but the strong horizontal banding across the station forecourt still provided a viable grid and scaffold upon which to set out my ideas.

I have always been in favour of using sandstone as the principle paving material, as this has history with the city, plus in terms of colour and appearance, seems much more sympathetic to the fabric of the site and its low level & undemonstrative railway architecture, rather than big city, corporate use of granite for public realm.

Sandstone Paving – Public Realm, Francis Crick Institute, London. Image: Christopher Tipping
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Stone paving and ceramic tiles from the interior of Winchester Cathedral. Image: Christopher Tipping

We could explore the use of varied sizes of paving slab, within a manageable modular framework. The stone paving in the Cathedral for example, exhibits a wide range of slab size, from a small unit square Purbeck Stone tile – which appears to have been the principle paving material – to the larger and unique Ledger (memorial) Stones in Tournai Marble & other stones.

Concept study proposal for paving and seating within the public realm & approaches of Winchester Station. Artwork: Christopher Tipping
Detailed & annotated concept study proposal for paving and seating within the public realm & approaches of Winchester Station. Artwork: Christopher Tipping

Above: Both images explore the possibilities of embedding interpretive Public Art elements within the revised LDS Public Realm proposal – seating, paving and retaining structures bringing an original and creative interpretation to the site. Working within the proposed LDS scheme, seating could be positioned at intervals along the parallel banding, using these lines as the principal interpretive parameters.

Concept study for a cast Iron paving panel with low relief text. Winchester Station Approaches. Image: Christopher Tipping

The key in the plan above outlines the use of:

Sandstone for main paving of the forecourt –

Cast Iron elements with low relief text and / or motifs set within the parallel banding in the paving & an extra wide kerb detail . There were several Iron Foundries in Winchester, which served the Railways –

Porphyry Paving for the primary parallel banding –

Bespoke Benches or ‘Perches’ –

Possible sandblasted, inlaid or etched surface patterns to the sandstone paving – employing super-graphic motifs inspired by the medieval ceramic tiling within the Cathedral –

Granite, Cast Iron, Cast Concrete or Steel defensive barrier structures which can double as seating or ‘perches’, following the radius curve of the highway. These are modelled on cross sections through stone piers in the Cathedral. –

Draft artworks playing with text, texture and the richness of architectural decoration & materials in Winchester. Image: Christopher Tipping
Black & white motif based upon a medieval ceramic inlaid tile at Winchester Cathedral. Image: Christopher Tipping
Detail: Concept study proposal for paving and seating within the public realm & approaches of Winchester Station. Artwork: Christopher Tipping
Detail: Concept study proposal for paving and seating within the public realm & approaches of Winchester Station. Artwork: Christopher Tipping
Detail: Plan drawings of Winchester Cathedral taken from ‘The Grid System & Design of the Norman Cathedral’ by Eric Fernie.
Pier Sections: Winchester Cathedral. Detail: Section drawings of Transept & Nave Piers of Winchester Cathedral taken from ‘The Grid System & Design of the Norman Cathedral’ by Eric Fernie.
Pier Section study. Winchester Cathedral. Image: Christopher Tipping
Pier Section studies Winchester Cathedral. Winchester Station Approaches Project. Image: Christopher Tipping
Concept & site interpretation studies for seating, barrier structures and public art, based upon pier sections from Winchester Cathedral for Winchester Station Approaches public realm. Image & Artwork by Christopher Tipping
Detail: Concept study proposal for paving and seating within the public realm & approaches of Winchester Station. Artwork: Christopher Tipping
Black & white motif based upon a medieval ceramic inlaid tile at Winchester Cathedral. Used as large scale decoration on a proposal for a monolithic stone bench. Image: Christopher Tipping
A decorative motif based upon a medieval ceramic inlaid tile at Winchester Cathedral. Used as large scale decoration, either inset or sandblasted, on a proposal for a monolithic stone bench. Image: Christopher Tipping

ROCHESTER RIVERSIDE – PUBLIC ART IN PRODUCTION – HARDSCAPE ENGLAND – PART 3

I’m travelling up north to Bolton this week to see the final units completed and hopefully sign off the work so it can be delivered to Rochester Riverside for installation. Can’t wait to see them all.

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

Above: “BLUE BOAR CREEK”…& other tales from Rochester Riverside. Detail of a water-jet cut & laser-etched paving panel in black Carlow Limestone with inset text of Amarelo Real (yellow granite) & Porphyry.

These new images are just in this afternoon thanks to Mathew Haslam of Hardscape – as their skilled stone specialists focus on the applied detail. Water jet cutting, inlaying, sandblasting and laser etching their way through 15 bespoke units destined to be embedded into the landscape of the new housing development at Rochester Riverside for client Countryside. This highly bespoke work needs to be handled with care and demands high levels of craft skills.

Hardscape have been excellent at providing this form creative collaboration. Public Art Strategy & Artists Commissions by FrancisKnight .

Below: This unit is 9 of 15 – ‘SHELDUCK’, a Kobra Green Granite base slab with water jet cut inset motif & text in black Carlow Limestone, which has been laser etched with surface detail. Further sandblasting of text into the green granite, will complete the work.

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam
Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam
Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

Above: The almost completed ‘WILLIAM CORY & SON LTD’.

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

Above: This is the base slab of black Carlow Limestone, which has been laser etched first & then water jet cut – but the large letter ‘W’, the ‘&’ and the diamond motif have yet to be chiselled out. See Below –

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

Above: The water jet cutting removes a series of lines from the granite, which are determined by the CAD programme, which creates the cutting paths. These pathways are interesting in themselves as patterns, but in this instance they have to be chiselled out carefully by hand, to create the void space for the granite inlay to be fixed.

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

Above: This images shows the void spaces chiselled out from the Carlow Limestone. The letter ‘W’ in Maple Red granite has already been inset and is awaiting bonding in place – the diamond motif is just about to be inset. These images are wonderful for showing process, craft and the mix of skills from CAD technology to work by hand & eye.

Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam
Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam
Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam
Hardscape’s stone specialists continuing their great work on my bespoke granite public art granite features for Rochester Riverside. Image: Hardscape Mathew Haslam

WINCHESTER STATION APPROACH – PART 7 – WELCOME TO WINCHESTER

In June 2019 I was issued with early draft plans for the public realm proposals at the Station by LDS Architects on behalf of Winchester City Council. I proposed to add a layer of creative interpretation to these plans, based on my contextual research and employ the setting out details within the LDS plan as a secure foundation into which I could set my public art concept drafts. My proposal was always going to be about utilising the need for paving, seating, retaining walls and other practical details of public realm highways engineering to keep visual clutter at a minimum. This would also be more economic in terms of budget use and future management and maintenance.

Concept & interpretation draft studies for seating and public art for Winchester Station Approaches. Base detail plan drawing by LDS Architects. Image & Colour Artwork by Christopher Tipping

Above: The Station building is on the left of this plan drawing (as seen from above). The plan for the public realm is primarily a sequence of parallel horizontal bands (green) delineated in the paving, which flow downhill from the Station towards City Road and another series which flow uphill along Station Road. However, this baseline geometry is combined with a radial pattern (also in green) which expresses the radius curve in the highway as it transitions from Station Road to Station Hill. This radial pattern provides the anchor for a series of seats (red) and secondary barrier structures (blue). These are concept ideas only – and not designs.

Concept & interpretation studies for seating and public art for Winchester Station Approaches. Base plan drawing by LDS Architects. Image & Artwork by Christopher Tipping

Above: This concept study shows a series of interrelated structures – which could be seating, walls, barrier structures or paving – set out in a radial pattern. These forms are presented as interpretive devices which exhibit combinations of materials and motifs, which seen together in this way embody ideas and responses developed from the contextual research I have undertaken.

Draft form for seating or paving. Terrazzo with exposed polished flint. Image: Christopher Tipping
The building materials of Winchester. Image: Christopher Tipping
Draft forms for seating or paving. Terrazzo with exposed polished flint. Image: Christopher Tipping
Draft forms for seating or paving. Monolithic Stone with laminate stone extensions & inset text or applied pattern. Image: Christopher Tipping
Detail of Illuminated Initial in Gold. Winchester Bible Illumination. Copyright Winchester Cathedral. Image: John Crook

Above: The Winchester Bible is regarded as the largest & finest 12th century Illuminated Manuscript. The script is by the hand of a single monk scribe from Winchester. However, the magnificent illuminations were often drawn and painted by itinerant artists – lay professionals who travelled between monasteries and centres of learning. These Illuminated Initials have been inspirational, as has the Morley Library, of which the Winchester Bible is a part. Bishop George Morley bequeathed his collection of rare books to the Cathedral in the 17th Century. His collection is also monogrammed.

Draft artwork playing with text & the texture and pattern of knapped flint. Image: Christopher Tipping
Draft artwork playing with text as illuminated initials & the texture and pattern of knapped flint. Image: Christopher Tipping
Draft artworks playing with text as illuminated initials & the texture and pattern of Winchester building materials. Image: Christopher Tipping

Above: Polished flint terrazzo circle with inset letter ‘W’ in Swedish Marble with sandblasted detail, resin bonded in white.

Draft artworks playing with text, texture and the richness of architectural decoration in Winchester. Image: Christopher Tipping

Above: Plan study (meaning ‘seen from above’)of a monolithic sandstone bench with a flat seating surface with the inset letter W and Circle motifs in flint aggregate terrazzo. Below: Sandstone & Flint are primary building materials in Winchester.

Sandstone is a primary building stone of Winchester. Image: Christopher Tipping
There is one sample of Swedish Marble in Winchester Cathedral. A Ledger Stone for the daughter of Sir John Clobery. Image: Christopher Tipping

“Of particular interest is the ledger stone (memorial) of Francisca Clobery, the daughter of Sir John Clobery. She died in 1683 and her grave is in the south aisle of the Retrochoir, in front of her father’s monument. It is of a distinctive Ordovician limestone (around 465 million years ago) from the Island of Öland, Sweden, containing the straight-shelled Nautiloid.” from ‘Winchester Stone’ by Dr John Parker 2016. ‘John Parker studied geology at Birmingham and Cambridge universities. He is a Fellow of the Geological Society of London. For over 30 years he worked as an exploration geologist for Shell around the world. He has lived in Winchester since 1987. On retirement he trained to be a Cathedral guide’. John has personally shown me around the Cathedral and pointed out many geologic wonders and quirks.

190507 BENCH laminated 1 Winchester Station Approaches. Christopher Tipping
Draft artworks playing with text, texture and the richness of architectural decoration & materials in Winchester. Image: Christopher Tipping

Above: Studies for objects (seating?) in Timber, Sandstone and Swedish Marble employing techniques of inlay, lamination, polishing and sandblasting.

Draft artworks playing with text, texture and the richness of architectural decoration & materials found in Winchester. Image: Christopher Tipping

Above: Study for two concept benches in monolithic black Tournai Marble with inlaid detail and laminated stone additions of Swedish Marble.

Ledger stone of black Tournai Marble with carving in Winchester Cathedral. Winchester Station Approaches. Christopher Tipping
Detail: Carved figures from the 12th Century Tournai Marble Font. The building materials & memorials of Winchester Cathedral. Image: Christopher Tipping
Draft artworks playing with text, texture and referencing the richness of architectural decoration & materials in Winchester. Image: Christopher Tipping
Draft artworks playing with text, texture and referencing the richness of architectural decoration & materials in Winchester. Image: Christopher Tipping

I hope to investigate manufacturing processes which allow stone to be cut, laminated, decorated and finished in a manner which embodies the richness of the Cathedral interiors and it’s ongoing repair and regeneration – BUT – in a functional manner, either as seating etc or as a method of improving wayfinding for visitors.

Draft artworks playing with text, texture and referencing the richness of architectural decoration & materials in Winchester. Image: Christopher Tipping
Concept & creative interpretation studies for seating and public art for Winchester Station Approaches. Image & Artwork by Christopher Tipping
Concept & creative interpretation studies for seating and public art for Winchester Station Approaches. Image & Artwork by Christopher Tipping

WINCHESTER STATION APPROACH – PART 6 – STATION HILL – A LOCAL HISTORY

Station Hill leads up to Winchester Train Station from the busy junction of Stockbridge Road, City Road, Andover Road and Sussex Street. Swan Lane also joins here. The site has been historically known as Carfax, meaning the meeting of roads. The Carfax Hotel, formerly on the site now occupied by the Hampshire Records Office took its name from this historic site. The Masterplan proposals for this whole site, developed by Winchester City Council’s Consultants Lifschutz Davidson Sandilands Architects, is referred to as the Carfax Site. and incorporates the Station Approaches & public realm.

Winchester Station and environs. Annotated by me to show Streets and Roads. Image: Copyright Google Earth
A page referencing the history and standing of Station Hill and the Train Station taken from the Cultural Heritage Assessment for Station Approach, Winchester, by Elaine Milton, Heritage and Planning. Winchester City Council 2015
Station Hill 1909. Winchester Station Approach project. A local community. Images: Christopher Tipping Collection
Station Hill, Winchester. Winchester Station Approach project. A local community. Image: Copyright:Facebook.com/Oldwinchesterphotos/. Station Hill 1976.
Station Hill, Winchester. Winchester Station Approach project. A local community. Image: geograph – 4303039Photo © Jaggery (cc-by-sa/2.0)

Station Hill today doesn’t give much away about it’s local community or life as a lively neighbourhood, but this wasn’t always the case.

I will try to add to this post throughout the project as new research throws up characters and stories.

A page referencing the history and standing of Station Hill, the Train Station and environs taken from the Cultural Heritage Assessment for Station Approach, Winchester, by Elaine Milton, Heritage and Planning. Winchester City Council 2015
Warren's Street Directory 1890 Ref: H 042.27 Hampshire Archives & Local Studies, Winchester.
Station Hill, Winchester. Warren’s Street Directory 1890 – Ref: H 042.27. Hampshire Archives and Local Studies, Sussex Street, Winchester.

Above: Warren’s Street Directories, held in the Hampshire Records Office on our doorstep, lists street by street, almost everyone who lived at each residential property. If this was a business, then it lists the nature of the business, as well as the people who owned it. A wonderful archive. The books also contain the most interesting advertising for local products and services, mostly & brilliantly illustrated.

Carfax Hotel, Station Hill & Sussex Street, Winchester.Date unknown. Winchester Station Approaches Project. Image: Winchester City Trust.
Description of the Carfax Hotel by Barry Taylor from The Lost Pubs Project. http://www.closedpubs.co.uk/hampshire/winchester_carfaxhotel.html
Hampshire Archives and Local Studies. Sussex Street, Winchester. This building replaced the old Carfax Hotel. Image: Winchester City Council
AUTOWORK , (Winchester)Ltd. Station Hill, Winchester. Date Unknown. Winchester Station Approaches Project. Image: Winchester City Council
Station Hill looking down towards Sussex Street and Swan Lane. Date unknown. Winchester Station Approaches Project. Image: Winchester City Council.
Station Hill, Winchester. 1902 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Roger Brown’s Model of Winchester circa 1873. This brilliant model was made in the 1980’s and took 9 years to complete. Image: Christopher Tipping. Copyright: City of Winchester Museum.

The Train Station is seen above in the bottom left quadrant. Roger Brown’s model was based on the OS Map of 1873. Roger had been a Planning Officer for Winchester City Council.

Some key building are still extant , such as the Station and the South Western Inn, formerly the Railway Refreshment Inn – & up until 2015, Winchester Register Office. The Carfax Hotel is visible on the junction of Station Hill & Sussex Street. The terraced houses of Gladstone Street are there too, but the Reservoirs of the Sussex Brewery, seen on the OS Map of 1870 now appear to be allotment gardens. Needs a bit more investigating to discover what the reservoirs were for. I can’t find any reference to the Sussex Brewery.

The original Railway Refreshment Inn opposite the Station, was up until 2015 the Winchester Register Office at No.6 Station Hill. Image: Christopher Tipping
Roger Brown’s Model of Winchester circa 1873. Copyright: City of Winchester Museum.

Above: A bit blurry…but nonetheless the Station and Public House are clearly shown. A narrow footpath leads to Sussex House just beyond the Station in this image. A lovely circular garden feature can also be seen just left of the Station forecourt behind a fence. I wonder if this was a public or private space?

Roger Brown’s Model of Winchester circa 1873. Copyright: City of Winchester Museum.

Above; At centre is the Carfax Hotel building on Station Hill and Sussex Street. This important crossroads, (or Carfax), shows a complex junction of City Road, Swan Lane, Station Hill, Andover Road and Sussex Street. Looking rather genteel – and not the complicated crossing for pedestrians we experience today.

Station Hill, Winchester. 1914 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Station Hill, Winchester. 1930 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.
Station Hill, Winchester. 1939 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.

By 1970, the Carfax Hotel, first named in 1918, had fallen into disrepair during the 1960’s. It had been taken over by the King Alfred Teacher Training College as student accommodation. However, it was demolished in 1972 as part of a road improvement scheme.

Station Hill, Winchester. 1970/71 Warren’s Street Directory. Image: Hampshire Archives and Local Studies.

WINCHESTER STATION APPROACH – PART 5 – PATTERNS IN PAVING ?

A short post on patterns of paving, used externally in the City streets. These images are a simple & straightforward record of paving and materials used in highway engineering and the public realm in Winchester. What I am interested in is the variation and the happenstance, which occurs between pattern, materials and textures. The ordinary and mundane, boring ?…no ! Some richness and patterns emerge, often as a result of repair & regeneration. Interesting to note changes at thresholds and edges. Old and new side by side. They are perhaps not the most exciting of images – but for those of you who look down to see & care about what you are walking on – you too may also see something that inspires you, as I have been inspired.

Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station. Paving patterns and materials used in Winchester. Image: Christopher Tipping
Winchester Station Approach project. Station Hill. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Outside Winchester Museum. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. High Street. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in the streets of Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe
Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe

…and finally – all roads lead to the Cathedral.

Winchester Station Approach project. Paving patterns and materials used in Winchester. Images: Christopher Tipping & Dave Lowe

Rochester riverside – public art in production – hardscape england – part 2 –

Oh my word…we’re on a roll in production up at Hardscape in Bolton.

These images are hot off the press, as skilled stone specialists at Hardscape focus on the applied detail. Water jet cutting, inlaying, sandblasting and laser etching their way through 15 bespoke units destined to be embedded into the landscape of the new housing development at Rochester Riverside for client Countryside Properties. This work needs to be handled with care and demands high levels of craft skills. Hardscape have been excellent at providing creative collaboration .

Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Artwork for bespoke detailed granite Public Art Unit ‘WALRUS & NELLIE’ in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping

Above: This is the ‘&’ from ‘WALRUS & NELLIE’. Water jet cut into a slab of Red Shiraz Granite 900mm x 300mm x75mm. It is awaiting the inlaying of the circle of yellow Amarelo Real Granite. It looks amazing. WALRUS & NELLIE were the names of two portable aggregate conveyors loading stone and cobbles on and off barges at Cory’s Wharf, Blue Boar Hard.

Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape

Above: This is the laser etched ‘DUNLIN A SALTMARSH BIRD’, , waiting to be water jet cut from its slab of beautiful Carlow Limestone & inset into a slab of red granite. See image below, where the DUNLIN has been partially cut out from the block in concentric linear patterns. This is a complex unit, with other letters inlaid. Precision is key. These beautifully crafted objects embedded in the landscape, will be a gentle reminder of the natural, social and industrial history of the site.

Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Detail: ‘DUNLIN A MARSHLAND BIRD’. Bespoke granite water jet cut motifs. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Artwork for ‘DUNLIN’. This motif is to be Laser Etched onto a Carlow Limestone slab, then cut out and inlaid into a red Shiraz slab. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
Artwork for bespoke detailed granite Public Art Unit ‘DUNLIN A MARSHLAND BIRD” in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
’15 BARGES STARTED THE RACE 1930′. Sandblasting underway with delicate handling of the vinyl stencils required. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
’15 BARGES STARTED THE RACE 1930′. Sandblasting underway with delicate handling of the vinyl stencils required. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Artwork for ’15 BARGES STARTED THE RACE 1930′.Bespoke detailed granite in Kobra Green & Shiraz. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
‘RUSSET BROWN & OCHRE SAILS’. Sandblasting underway with delicate handling of the vinyl stencils required. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Artwork for ‘RUSSET BROWN & OCHRE SAILS’.Bespoke detailed granite in Kobra Green, Amarelo Real & Shiraz. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
‘SPRITSAIL BARGES’ & ‘FIVE BROTHERS’. . Sandblasting underway with delicate handling of the vinyl stencils required. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
‘SPRITSAIL BARGE’ . Detailed sandblasting underway with delicate handling of the vinyl stencils required throughout. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape
Drawing of a Spritsail Barge, used on the River Medway and of a type originally built on our site at Rochester Riverside in the 19th Century. Image: Christopher Tipping
Artwork for ‘SPRITSAIL BARGES’. Bespoke detailed granite in Kobra Green, Amarelo Real & Shiraz. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
Artwork for ‘THE FIVE BROTHERS”. Bespoke detailed granite in Kobra Green, Amarelo Real & Shiraz. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
‘SHELDUCK’. Laser Etching of a Shelduck on a Carlow Limestone slab underway with delicate handling of the detail required. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Hardscape

The laser etched image of the Shelduck will now be water jet cut out of the Carlow slab and the motif inlaid into a slab of Kobra Green Granite, which has the shape of the bird already cut into the surface.

Interesting to note also that the Carlow Limestone has beautiful fossil shells embedded. Also note that these are not my feet, they probably belong to Pedro, who is overseeing and also working on my project. Without skilled people like this, I would be lost !

Artwork for ‘SHELDUCK’. This motif is to be Laser Etched onto a Carlow Limestone slab. Bespoke detailed granite Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping
Artwork for ‘SHELDUCK’. Bespoke detailed granite in Kobra Green & Carlow Limestone. Public Art Units in production at Hardscape England, Logistics North, Bolton for Rochester Riverside and client Countryside Properties. Image: Christopher Tipping