I am always trying to play catch-up with projects I completed prior to having any online platforms. Here we are, almost 13 years since its completion and installation and I have finally managed to track down a great set of images, which were commissioned by Tarkett Flooring(actually it was Tarkett Marley back in 2006). The images were originally commissioned by PR Firm Mainspring from photographer Ian Blantern of Blantern & Davis Photography.
Ian Blantern retrieved the images from his archive, for which I am really grateful.
In 2004 I was commissioned by Peter Ursem, a former director of the Artcare Team at Salisbury District Hospital to collaborate with project team Architects, Chapman Taylorand Contractor Gleeson. The brief was to create bespoke flooring installations throughout the four levels of the new building, combined with creating interior colour schemes to assist in wayfinding and identity. I collaborated closely with Tarkett Marley Floors throughout the design and manufacturing period on sonic cutting and installation methods.
“The planned move of services from the older southern end of the Salisbury District Hospital site to a new modern purpose built facility took place in May 2006. The new building which was designed using the views of local people and staff houses the regional burns service, elderly care and orthopaedic wards. It also has an outpatient department with plastic surgery, maxillo facial outpatients, laser treatment centre and therapy services. This was the largest development seen on this site since Phase One of the hospital was built in1993 and means that these services now have natural links with the acute and diagnostic services in the newer part of the hospital. The new burns accommodation is situated on level four and has its own dedicated operating theatre. It is located near the Intensive Therapy Unit so that it can access critical care support for people with serious burn injuries. Orthopaedics has its own purpose built accommodation and this is located on level four of the new building close to main theatres. Plastic surgery and maxillo facial outpatients has its own department on level three, so that it links in with general outpatient and diagnostic services on the same level in the existing hospital. Medical and elderly wards are situated on level two, with two elderly care wards taking the vacated ward areas in the existing hospital that are next to the Nunton Unit, which provides physiotherapy. In designing the new building, the aim was to maximise natural daylight and ensure that patients in ward areas can enjoy excellent views across the Wiltshire countryside”.Salisbury NHS Foundation Trust
The designs were inspired by abstract forms in the Wiltshire landscape – ephemeral and or suggested elements as seen from the Hospital. This included ancient and historic man-made stone circles at Avebury and Sarum, crop circles, dew ponds, Fovant Badges, plough lines and field patterns. I also looked at Downton lace making, the architecture and decoration of Salisbury Cathedral and the flora and fauna of a chalk and limestone landscape. Engagement with staff and patients was also undertaken. The installations were made at major node points such as nurses stations, waiting areas, key vistas and in the window seating areas of the 4-bed bays. The patterns break up the generous expanses of floor, providing an element of surprise and distraction for patients and visitors alike. All floors share a limited catalogue of motifs, but these are expressed via individual and distinct colour palettes on each level. Levels 1 & 2 share an set of earth and terracotta tones representing chalk marls and ploughed fields. Level 3 uses shades of green reminiscent of summer and farmland and woods, whilst on Level 4, blues and lilac colours reflect shifting skyscapes.
What am I proposing?
Looking at Wiltshire: A patchwork of pattern, texture and light
Designs inspired by man-made forms in the landscape –
Earthworks: Avebury – Old Sarum – Silbury Hill
Chalk Drawings: Wiltshire Horses and Fovant Badges
Designs inspired by local history, industry and architecture –
Medieval Ceramic Tiles
Romano British Mosaics
Designs inspired by the unseen & ephemeral in the landscape –
The geology of Wiltshire
Fossils of the Chalk Downland of Wiltshire
Associated Flora and Fauna: Horseshoe Vetch and Adonis Blue
If you know Southampton well – you may never really notice the Station signage. Things may be a little tricky if you are a visitor. The arrival and departure from a great sea city like Southampton surely needs a bit of a signage upgrade. I am no typographer and this is a specialist area – but I can’t resist an opportunity –
I have to admit that this is the first time I have been inside the multi storey car park at the junction of West Park Road and Kingsbridge Lane. The first time in over 12 years coming to Southampton. What a good view down Blechynden Terrace !
The main pedestrian routes on the north and south sides have been re-surfaced and the public artwork “Canal Shore’, a 205m long wide basalt kerb detail with inlaid granite text, forms a strong and robust visual desire line on the south side of Blechynden Terrace all the way to the Station Forecourt.
The footpath just visible at the bottom left corner of this image is the start of Kingsbridge Lane, which is the main pedestrian route from the Station to the City Centre and Cultural Quarter. This route is very well trafficked and very busy at peak times, with a flow of people at all times of day. The visual and physical connection to the Station Quarter Project is currently poor and we are now scoping this route to consider an approach to regenerating the site and improving connectivity and user experience.
I was invited to attend what was possibly the final Champions Group meeting to review the regeneration work coming to a close at Southampton Station Quarter North. This group of people, representing every walk of life in the local area and community, have been responsible for championing, challenging and keeping the project on its toes since the dawn of the scheme way back in 2012. They have been an invaluable part of the project and I hope that they collectively approve of the work done thus far. Pete Boustred – Transport Policy and Sustainable Travel Team Leader at Southampton City Council, led the walk around site, assisted by Antony Cutajar, Site Manager for Balfour Beatty Services & Wilson Massie, Stakeholder Engagement for Balfour Beatty Living Places.
The landscape forms – bespoke cast concrete seating, amphitheatre steps, ramp and retaining walls are now all installed. Some snagging was still to be completed and soft landscaping was still in progress. As this was February, there was not much to see in terms of greenery ! Meadow seed planting has been carried out – & hopefully the impact of this will be seen later in the year.
This is a simple photo essay of the walk around the site looking at what has been completed.
Great news to end 2014 & a promising start to 2015 !
On 22nd December 2014 I was appointed as the artist to the team for the new bus station at Merthyr Tydfil.
“The appointed artist will work as part of a multi disciplinary design team to look for opportunities to contribute to the design of the bus station both in terms of function and aesthetics. The development of a new Central Bus Station for Merthyr Tydfil is one of the last major regeneration projects for the heart of the town centre.
Through extensive public consultation held in June 2014, the majority of the public recognised the need to relocate the bus station; however concerns were raised over anti-social behaviour, accessibility and close proximity to a residential area. It is critical that the design addresses these concerns whilst looking for a contemporary design that has a unique appearance which is respectful to the surrounding area.
This is an excellent opportunity for an artist to make a real contribution to the design of an important part of the town’s transport infrastructure and a critical building within the townscape. The appointed artist will be expected to bring a new perspective to the design team crossing traditional skills boundaries and linking different design disciplines.”