OK, so I am revisiting the early stages of the project…having NOT had the time to document progress on here. These early drafts and drawings were completed in June this year. Based upon contextual research and concept design development for the generation of the interpretive public art elements at Winchester Station. Several versions of this initial research have been submitted for discussion and comment. There are still some areas I would love to tap into, but for the moment I am awaiting a final briefing to focus the work. The same goes for materials research. Excited by the prospect of working with some amazing manufacturers…but have to hold off for now.
These early drafts considered an ‘all-over’ repeating pattern for natural paving, influenced by the Cathedral’s extant medieval inlaid ceramic floor tiles – and used here as a super-graphic motif. At this time I was not responding to any masterplan landscape proposals from the clients Architects and Urban Planners LDS – as these had not yet been circulated. The ideas were formulated in response to my own research in the city and now form the foundations of my project approach.
The building stones of Winchester are hugely influential when looking at the interpretation of place and the significance of the Station as a gateway to the City. Although granite has been used here, local sandstones and limestones with flint and brick dominate.
The architectural scale of the Station buildings warrant a softer frame with regard to paving. Sandstone fits this bill. Granite is perhaps too corporate and ubiquitous for this site.
The City has a strong tradition of procession and pilgrimage, which reinforces notions of way finding and direction, arrival and departure, as well as the physical experience of walking and the materials you are walking upon.