I have been corresponding with Roy Moore for some time now. He has been an invaluable contact at The Kent Photo Archive.
He has allowed me to use some archive images of Chatham from his own collection and some contemporary images of his too.
Here are a few of these –
It is said that this ‘Temperance’ establishment, built in 1877 providing accommodation and entertainment for Sailors and Soldiers, was built to help them avoid the ‘temptations’ available elsewhere in the Town.
On Friday 6th February 2016 we ran a creative consultation drop-in event in Chatham. These were held at Sun Pier House from 10am – 1pm and then at Nucleus Arts from 2pm to 5pm. We presented the same information as the public consultation events – and the creative consultation events were also open to anyone to attend.
Chatham and Medway has a lively and very creative and well established arts scene. It is important that we make the project as open and available to all to engage with. The afternoon session at Nucleus Arts turned into an impromptu talk and discussion about the wider regeneration project and the creative contextual research with which we hope to influence and inform the design process. This was really well attended, with some artists and practitioners asking about the temporary programme of commissions which will run prior to the permanent works beginning on site. Engagement in this way is the real catalyst for change, creativity and promoting a common sense of ownership.
A big thanks to Claire Poynter, Natasha Steer and Genevieve Tullberg of Nucleus Arts for making this event a success and providing the space.
The Public Consultation events in regard to the Chatham Placemaking Project were held in Chatham from 15th January to the 5th February 2016.
If you click on this link – Chatham Placemaking Project – you can see the information boards which were presented for comment. Additionally, there was a form to complete, which asked some pertinent questions about the project. An online option provided opportunity to complete the survey at home in your own time. All the information collected is now subject to review by the Council’s Regeneration Team.
At these events the general public were invited to comment on the plans developed by the wider project team, including LDA Design, Medway Council, Arts Consultants Francis Knight and me ! I attended one of these days at the Pentagon Shopping Centre. What was so interesting about this process, was that people would stop and look at the information boards. Some would comment favourably, others would raise questions about wider issues in the town. Once engaged however, many people – particularly elderly residents – would tell stories.
These are a few images taken from the Creative Scope work I am doing. These are my artworks / draft plans, created to promote the creative concept.
Concept
The Lead Artist proposes that these historic, physical and social influences will be experienced in the pedestrian journey from the Railway Station, via Railway Street and Military Road to Riverside. It is proposed that this concept approach may manifest itself as an evolving linear narrative, drawn out from within the pavements and pedestrian areas associated with the route. Referencing the nearby Chatham Lines, this new Town Line could demonstrate a series of distinct, yet inter-related events, thresholds and experiences along its course. As interpretive interventions, they will evoke a narrative of resonant references to Chatham itself, becoming a part of the fabric of the street. Where the Chatham Lines were built as defensive structures, this new line will be resolutely ‘enabling’.
The Historic Dockyard is inextricably tied to the social and industrial history of Chatham. It is a rich source of inspiration. Architectural forms, both robust and functional continue to influence the creative approach; some structures, such as the Slipway Sheds presenting striking abstract patterns and geometries. Vertical forests of timbers supporting vast and expansive roofs with rectangular glazing apertures, twisted askew by perspective. The Dry Docks are faced in massive blocks of close fitting granite. These materials are shaped by function, yet are hand crafted and bespoke features, imbued with a legacy of local and honed skills, surely a fitting inspiration for a contemporary streetscape here in Chatham.
Dickens writes about an enduring military presence on the streets of Chatham.
“They walked about the streets in rows or bodies, carrying their heads in exactly the same way, and doing exactly the same thing with their limbs”. “Men were only noticeable by scores, by hundreds, by thousands, rank and file, companies and regiments, detachments, vessels full for exportation”.
These closely observed characteristics, played out on the streets of Chatham until very recently, suggest that an echo of these patterns of movement and symmetric formations, displays and manoeuvres are still extant in the pavements, streets and roads of the town. Perhaps this evocative memory could be recalled in new paving finishes and interventions in the streetscene.
This creative interpretation not only brings a site-responsive and contemporary narrative to the project, but also dovetails with and adds to a strategic and deliberate approach to inherent wayfinding and placemaking, assisting and strengthening the pedestrian route and the local and visitor experience.
This concept applies to the entire Placemaking Masterplan, setting a blueprint for a programme of temporary and permanent commissions to roll out in a phased approach over the development period.
It’s a while since I last posted on the project. My creative scope has now been submitted and contains a number of research-led works, including:
Site visits to Chatham, for the purposes of research and site analysis.
A review of local landmarks and key buildings, places and organisations –
Meetings with archivists –
A personal blog –
Pinterest Board of research images and aspirations –
A text based creative analysis made as a contribution to the Masterplan document being prepared by LDA
‘Another Chatham Line…’ – an illustrated creative scope pdf document –
Concept and diagrammatic drawings to accompany and illustrate the creative scope and concept approach –
The work submitted will be added into the supporting documents or as an appendix to the work. We will now be looking towards a public consultation exercise, which is scheduled for early December 2015.
The following images are from draft artworks I have produced, exploring the idea of a thematic pedestrian route from Chatham Station to the Waterfront and The Paddock.
The new development at Orchard Park, due for completion in 2017 is to be called ‘Harrison Park’ , 100 years after Jack Harrison VC, a former Hull FC Rugby League Star was killed at Oppy Wood, Arras, France in 1917 during the First World War.
A Pinterest Board of research images about Orchard Park and its history, can be found here. This will be added to throughout the project.
Hull was awarded City of Culture 2017 so there is much to celebrate in the lead up to this brilliant event for the city.
I have just been commissioned on a new ‘Extra Care’ Housing development on Hall Road, Orchard Park in Hull.
This project is being delivered by Riverside Care and Support in partnership with Wates Living Space. The project architects are Croft Goode. The landscape architects are re-form landscape architects.
This is one of three developments in the City which Riverside are delivering concurrently. The other sites are Leads Road on the north Bransholme Estate and Hawthorne Avenue in West Hull. There is a substantial integrated arts strategy and programme, developed and being delivered by RKL Consultants. I am one of a number of artists who have been commissioned to respond to these sites. The other artists are: Jyll Bradley, Katayoun Dowlatshahi, Rona Smith, Tim Norris and Angus Ross.
“Riverside (one of the leading social housing providers in the UK), in partnership with Wates Living Space, is developing three new high quality extra care schemes within the city of Hull;
Harrison Park, Hall Road (65 apartments, 60 x 2bed, 5 x 1 bed)
Cecil Gardens, Hawthorn Avenue (95 apartments, 89 x 2 bed, 6 short stay)
Redwood Glades, Leads Road (156 apartments 60 x 2 bed, 96 x 1 bed))
The developments will be delivered under the PFI protocol. They will be high quality residential developments providing lifetime homes for adults who need some form of extra care and support. Riverside is committed to engaging the skills and imagination of artists in providing people with living environments which enhance their quality of life, stimulate their imagination and which contribute meaningfully to life of the community”. RKL Artist Project Brief.
Monday 28th September 2015 – Station Quarter Visit –
The kerbside artwork ‘Canal Shore‘, which is a vital part of the Station Quarter programme, is very nearly completed. Only a short section remains to be finished, once the Station Forecourt area is completed. ‘Canal Shore’ is a 205m long black basalt kerb with inset granite text, which traces the route of the former Southampton to Salisbury Canal and also happens to be the line of the historic shoreline of the River Test Estuary.
The narrative refers to places, people and events which have marked the development of this landscape. Importantly, the work is also a strategic part of the wayfinding and placemaking ambitions for the Station Quarter project, as it makes an emphatic statement along the main east to west pedestrian route to the Station from the Above Bar area of the city and the Cultural Quarter.
Thursday 3rd September 2015 – Medway Archives & Local Studies Centre, Stood.
I had an appointment to meet the archivist at MALSC to review their photographic collection – particularly in regard to Railway Street and Military Street. I took a number of digital images from old photographs, but will require permission to post them on the blog. Hopefully, I can do this in due course.
Old OS Maps of the area were of particular interest as these obviously mapped out – some in great detail – large areas of the site where building had been lost during ‘development’ and / or razed to the ground by fire or neglect. Again – watch this space as i hope to post these images too.
Of particular interest were the OS 1848 Board of Health Map and the 1843 Tithe Map.
Thursday 3rd September 2015 – Chatham Research Visit No 2 – A clearer vision…
Chatham is making more sense ! – the topography here is incredibly helpful in aiding navigation around the town. Geography, topography and the particular curve of the River Medway provided the strategic advantage which led to the exponential growth of the Docks and town from the early part of the 18th Century. The day today was clearer and brighter – unlike my first visit when it poured down all day – this really makes a considerable difference! Still walking as much as possible – by far the best way of getting to grips with a place – today I went as far as Strood, via Rochester and visited the Medway Archives and Local Studies Centre.
The following images again trace the pedestrian route from the Rail Station to the Waterfront.
At the centre of the image, the Viaduct with New Road can be clearly seen, as can the tower of St John’s Church and the red brick monolith of Mountbatten House on Military Street, adjacent to the new Bus Station.
“Thomas Fletcher Waghorn (1800–1850), whose statue stands in Chatham, Kent, was a postal pioneer who developed a new route from Great Britain to India. Waghorn’s route reduced the journey from 16,000 miles, via the Cape of Good Hope to 6,000 miles: from three months to between 35 and 45 days. Waghorn was born in Chatham, England, and baptised at St Mary’s Church on 16 July 1800″. Wikipedia
Interestingly, Thomas appears to be pointing the way to the Town Centre and Waterfront to pedestrians coming down from the Rail Station. Good man ! –
Architectural text and detailing on the upper stories of extant buildings along Railway Street, provide clues to the rich legacy of activity and usage in the area.
