Tag Archives: Transport

winchester station approach – Part 2 – Materials, ABSTRACTION & PATTERN

The image above is a detail of the beautifully carved ebony black polished stone 12th Century font, with its depiction of the miracles of St Nicholas, It is without doubt one of the Cathedral’s greatest treasures. It was brought from Tournai, in modern day Belgium. It has been in use ever since.

The building materials of Winchester. Image: Christopher Tipping

It isn’t too hard to find odd and quirky combinations of mundane & exotic materials and examples of spectacular & naive decorative arts and crafts side by side in Winchester, especially in the Cathedral. Almost one thousand years of continual occupation of the site bears witness to an unbroken architectural legacy, one that is brimful of odd juxtapositions, exotic materials, renewed or replaced fabric, scratched graffiti, vandalism and destruction. Like walking through a time-warp. Robust Norman Romanesque Architecture to Perpendicular Gothic in one step. Swedish Marble to Purbeck Stone. Extant 13th Century inlaid ceramic floor tiles to 1960’s replicas. Striking thresholds crossed mixing time and material, yet the experience is not jarring or disjointed. Time itself has softened these transitions and blurred the edges.

I am continually cherry picking from the world around me, plucking at things, tucking things away – like a squirrel for winter or in the manner of a herbivore, continually grazing. I am gathering visual information – an extraordinary cabinet of curiosity. Certain things catch my attention, whilst others pass me by, unseen. This eclectic meander is not a considered or deliberate creative manoeuvre. It is innate. It is my pattern of speech, it is my handwriting. It simply is.

A mash-up of the decorative building materials of Winchester & my own patterns. Image: Christopher Tipping

SANDSTONE – FLINT – LIMESTONE – EBONY BLACK TOURNAI MARBLE – HAND MADE BRICK – OAK TIMBERS – INLAID CERAMIC TILES – MONOLITHIC GRANITE – CAST IRON – GUN METAL – CARVED OAK – STAINED GLASS – WINDOW TRACERY – LEAD

The building materials & memorials of Winchester Cathedral. Image: Christopher Tipping
An abstract mash-up of the decorative building materials & styles of Winchester mixed with my own ‘Winchester inspired’ patterns. Image: Christopher Tipping
The building materials & memorials of Winchester Cathedral. Image: Christopher Tipping
The building materials of Winchester. Image: Christopher Tipping
The building materials of Winchester. Image: Christopher Tipping
Abstract drawings based on knapped flints, one of the building materials of Winchester. Image: Christopher Tipping
Abstract drawings based on knapped flints, one of the building materials of Winchester. Image: Christopher Tipping
A mash-up of the decorative building materials of Winchester & my own patterns. Image: Christopher Tipping
The building materials of Winchester. Image: Christopher Tipping
The building materials of Winchester. Image: Christopher Tipping
An abstract mash-up of the decorative building materials & styles of Winchester mixed with my own ‘Winchester inspired’ patterns. Image: Christopher Tipping
A mash-up of the decorative building materials of Winchester & my own patterns. Image: Christopher Tipping

Station Quarter North, Southampton

Station Quarter North, Southampton

If you would like some background information on the contextual research which was done to help shape the project, take a look at this short film.

https://www.youtube.com/watch?v=Yzwx8UP4tmk

The film was put together by Wilson Massie of Balfour Beatty Living Places for the project client, Southampton City Council. – I’m not much of a screen presence, but the information and visuals are interesting !

Film Credit: Wilson Massie for Balfour Beatty Living Places and Southampton City Council

These were the brilliant guys on the ground who installed the Canal Shore works - Martin Miller & Jay Geary of Balfour Beatty. Image: Wilson Massie, Balfour Beatty Living Places
These were the brilliant guys on the ground who installed the Canal Shore works – Martin Miller & Jay Geary of Balfour Beatty. Image: Wilson Massie, Balfour Beatty Living Places

Merthyr Tydfil Bus Station

Great news to end 2014 & a promising start to 2015 !

On 22nd December 2014 I was appointed as the artist to the team for the new bus station at Merthyr Tydfil.

“The appointed artist will work as part of a multi disciplinary design team to look for opportunities to contribute to the design of the bus station both in terms of function and aesthetics. The development of a new Central Bus Station for Merthyr Tydfil is one of the last major regeneration projects for the heart of the town centre.

Through extensive public consultation held in June 2014, the majority of the public recognised the need to relocate the bus station; however concerns were raised over anti-social behaviour, accessibility and close proximity to a residential area. It is critical that the design addresses these concerns whilst looking for a contemporary design that has a unique appearance which is respectful to the surrounding area.

This is an excellent opportunity for an artist to make a real contribution to the design of an important part of the town’s transport infrastructure and a critical building within the townscape. The appointed artist will be expected to bring a new perspective to the design team crossing traditional skills boundaries and linking different design disciplines.” 

Helen Kell, Vibrant and Viable Places Project Manager, Merthyr Tydfil County Borough Council.  Helen will be liaising closely with me, alongside the Public Arts Officer for the project.

I will be collaborating and working alongside Capita Symonds, Mott MacDonald, Arts Council Wales & One Voice, a disability action group based in Merthyr Tydfil as well as local authority agencies and local planning officers.

The brief and scope is wide ranging at this stage, but is focussed on the use of research led contextual studies with which to influence the design process and eventual outcome of the project.

I will be starting work on the project in January 2015 & look forward to working & collaborating with the people of Merthyr Tydfil as soon as possible.

This blog will be made open to everyone involved in the project to review, comment upon & contribute to the programme and research.

 

Notes on Merthyr Tydfil by Christopher Tipping
Notes on Merthyr Tydfil by Christopher Tipping